Search Result > Little Korea

SEARCH CONTENT

Search for content in Little Korea

Search Keyword : Little Korea

K-Pop & Trot (41)

  • 2019.11.14
    release date
    Mindful of other people's eyes, the style that is made by cutting down is not truly "HIP."

    The lyrics mean that any appearance is emitted when you care for, love, and care for yourself, and they are concentrated on the identity of the confident and confident charm that MAMAMOO has pursued so far.

    The title track "HIP," whose unique theme captivates ears with its rhythmical brass and string sound, has enhanced its completeness with an arrangement that adds an addictive melody to the ingenious beat.
  • 2015.11.30
    release date
    [Hwayangyeonhwa pt.1] It's an exciting alternative hip hop song that continues the funky vibe of "BTS".

    It is a hometown hymn that connects "Paldo Gangsan", which sings about their hometown in dialect rap, and contains the perception that it is a reality that has been walking with affection for the cities where members were born and raised, such as Ilsan (Lap Monster), Daegu (Suga), Busan (Jimin), and Gwangju (J-Hope).

    You can enjoy the excitement of BTS, which boasts the brilliant wit and beagles of K-pop groups that lead the Korean Wave.
  • 2019.12.5
    release date
    The cozy voice of Jung Seung-hwan calmly tells the words of confession waiting for the whole season reminds me of the scenes of winter confession. At the end of the confession, 'My winter, be all my seasons,' for the first time again, I express my mind that it will be the season that has flowed into the season of first confession.

    IU wrote the song and Jehwi wrote the song.

    I hope you will be happy to listen to these songs even if you encounter this season again after a long time.

K-Traditional Music (4)

K-Cultural Heritage (3)

  • 1980.11.17
    designated date
    Byeolsingut refers to a rite to pray to Seonghwang (Seonang), the guardian of the village, every three, five, or ten years for a good harvest of peace and farming in the village.

    About 500 years ago, Hahoe Village in Andong, North Gyeongsang Province, performed a byeolsingut to Emperor Mujinsaeng on the fifteenth day of the New Year (December 15) every 10 years, and played mask games to entertain him along with the exorcism.

    Hahoebyeolsingut Talnori consists of eight madangs of Mudong Madang, Jujumadang, Baekjeong Madang, Halmi Madang, Pagye Seung Madang, Yangban, Seonbi Madang, Honrye Madang, and Sinbang Madang.

    Before the game begins, the day after the beginning of the first lunar month, if you go up to the cathedral, grab the descending pole with the sugar droplets, and lower the Holy Spirit, you move the sugar droplets to the Seonghwangdae and come down from the mountain. If Seonghwangdae and Naerimdae are built against the eaves of a verb, the play begins.

    The characters include Ju Ji-seung, Gaksi, Jung, Yangban, Seonbi, Cho Rang-i, Imae, Bunae, Baekjeong, and Halmi. The book is based on ridicule of Pagye-seung and biting satire and interpretation of the nobleman.

    Hahoe Byeolsingut Talnori has a ritualistic nature. In particular, Gaksital is believed to be a substitute for Seonghwangsin, and only Byeolsingut is to be seen. When taking it out, the ritual must be performed.

    The masks used for the game were made of 11 kinds of 10 types of duckwood, including jija mask, and the original was designated as Hahoe mask and Byeongsan mask (National Treasure No. 121) in 1964 by applying lacquer and pigments in two or three layers.

    The accompaniment of mask play is performed by a pungmul player with a gong-gwaengi at the center, and dance moves with a Little bit of dance moves mixed with improvisation and routine movements.

    Hahoe Byeolsingut Talnori is characterized by the lack of a back-to-back party enjoyed by burning masks, and is valuable as a valuable source of information on the origin and origin of mask dramas in Korea.
  • 2017.11.21
    designated date
    •Hwando is a name derived from the fact that it has a cut and wears a ring, a string on the hook, and wears it on the waist. Also called urethra, gangdo.

    The name "Hwando" has been used since the late Goryeo Dynasty. Most of the knives of the Joseon Dynasty were called 'Hwando'. Short and light to carry and use in an emergency. After the Japanese Invasion of Korea in 1592, the length of the hwando was relatively long. The production of Hwan-do is directly managed by the State. Made by the hwan-do-jang belonging to the military discipline.

    • The functions of the exchange center can be divided into four different types of functions: iron smelting function (filling function), blacksmith craft function (folding function), axillary reinforcement function (unfolding function, tempering function, heating function), and molding and polishing function (fracturing function, grinding function, polishing function), and polishing function. Hong Seok-hyun has mastered all of these functions and has excellent skills.

    • Hong Seok-hyun smelts the sand iron (selected from Yeosu, Hongseong, where the sea meets the river) and makes sand iron steel bars, which are grafted and forged in a traditional manner. The traditional pottery is very strong and has Little impurities, so it does not rust easily.

    • Passage decorations are not carried around with a sword, but are worn with a sword, and Hong Seok-hyun expresses his artistic beauty by reproducing the pass decorations seen in Hwan-do.


    • Hong Seok-hyun moved to Seoul in 1968 and acquired woodworking and metalworking until 1982. At this time, the craftsmanship acquisition enabled the expression of artistic beauty as a place of exchange that required a variety of techniques.

    • Hong Seok-hyun was the chief prosecutor Jeon Yong-ha (Dogam Production Workshop/Operation of Daehan Kendo), who was the first prosecutor's license in 1983 by the National Police Agency in 1983.Yi Sun-sin's work on the repair and repair of the general Yi Sun-sin) has received knowledge and functions on the pottery, blade grinding process, and traditional pottery.

    • For seven years from 1992-1998, the late Im Myeong-gil (Dogam Production) has been studying traditional pottery techniques such as blade smoke, charcoal smoke, folding, tempering, loosening, and knitting functions.

    • In 1992, the late Im Myeong-gil was enshrined in a workshop and studied important techniques in traditional pottery techniques for seven years. The late Chung Eung-jo and the late Yu Jeok-seon (metal crafts) were also taught various functions of traditional crafts.

    • It reproduces artifacts, excavated and excavated daggers through the research of ancient documents and functions handed down from various craftsmen to the present since 1989.
  • 1998.1.9
    designated date
    Beompae, one of Korea's three major vocal music pieces along with pansori and song, is a ritual music sung by the Buddhist music of Cheondoism that sends the dead to heaven.

    The broad meaning of the dance includes dance in addition to sound, which is called composition. The composition is a unique Buddhist dance that can only be seen in Jae (a Buddhist dance to pray for peace) and can be divided into three types: Butterfly Dance, Bara Dance, and Beopgo Dance. Butterfly Dance is called Assan Dance in North Jeolla Province.

    The Yeongsan writing system is different from the writing system in Seoul because it has cultural and artistic characteristics in North Jeolla Province, while the Seoul area is mainly engaged in the painting industry, while the North Jeolla region is mainly engaged in the painting industry.

    Even in the optimism of the cone, flowers are painted in Seoul, but carp are painted in North Jeolla Province, which seems to have added shamanistic elements.

    In particular, the Yeongsan composition method is characterized by a variety of dance moves of Assan dance and Bara dance, and the Beopgo dance has Little movement, showing a conservative aspect.

K-History (0)

no data

Special (0)

no data