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K-Pop & Trot (48)

  • 2018.11.12
    release date
    It is a BTOB ballad song with a medium tempo meaning that it is beautiful and sad that this time Living now will never come back.

    The harmony of the warmth of the orchestration and retro guitar sound stimulates the mood of a sad autumn.
  • 2020.11.20
    release date
    It is an emotional pop ballad genre centered on acoustic guitar sounds, full of V's color and charm that participated in writing and composing.

    The lyrics express inner depression and anxiety in blue and gray, drawing sympathy from listeners.

    Acoustic guitar performance takes center stage of the song, and vocal humming in the latter part of the song heighten the emotion of the song.
  • 2015.11.30
    release date
    For young people, failure and frustration are nothing, and the more they do, the more they step up their efforts to move forward.

    It's an intense hip-hop song mixed with rock elements, and the hook of the rap-per-line shouting 'If you're about to bump, step harder'''NEVER MIND' brings out a strong shudder.

    You can also feel as if you are in the middle of a concert hall by using the sound of the actual BTS concert.

K-Traditional Music (5)

  • 2020.11.29
    Recommended music
    Heungbo reluctantly visits his brother's house due to hunger, but he is only beaten by Nolbo.
  • 2021.2.29
    Recommended music
    ☆"Gangsangpungwol" is a danga that expresses the joy of Living a leisurely life by singing the scenery of a river or lake. From the last part, "Ilchon ganjang" the song is abbreviated to "Let's play as arrogant."

    Danga is a relatively short song compared to the pansori made to warm up one's throat before singing pansori. There are also dangas which has nothing to do with pansori. Most of the lyrics are about a mountain stream or an ancient events. Danga reaches about 50 kinds, but the common songs are about 20 kinds. Danga is said to be less crafty and calm.
  • 2020.4.3
    broadcasting day
    The fusion Gugak band "Seodo Band" that pioneered a new genre of "Joseon Pop" made headlines by singing it on Mnet Neomokbo 7.

K-Cultural Heritage (72)

  • 1986.11.9
    designated date
    Jisung Craft is also known as Nojikkae, which is made by twisting paper into a container. Although the exact date of the outbreak is unknown, it is estimated that there were many paper bowls during the Joseon Dynasty, which had been handed down since then.

    Cut Korean paper and soak it in water to make it. Fold the twisted paper string in half and weave it one by one. A pattern or shape can be freely changed and a pattern is applied to a paper bowl with a form. Finally, it is finished by polishing with cashew, a kind of paint. They make baskets, trays, suspenders, shoes (meturi) with paper straps.

    Jiseungjo was designated as an intangible cultural asset in order to transfer and protect technology as a traditional craftsmanship. It has been cut off for some time by Choi Young-joon, a functional holder Living in Hongseong-gun, Chungcheongnam-do.
  • 1995.11.14
    designated date
    The song refers to a musical style in which Sijo poem, one of the literary genres of the Joseon Dynasty, is added to the melody of five chapters.

    It is called Jeongga along with the lyric and sijo, and is also considered one of Korea's top three vocal music songs along with Beompae and Pansori.

    In the late Joseon Dynasty, it was a representative piece of music for the folk and folk, and it was also their Living music.

    Playing to the accompaniment of the gale, the tune is divided into clear, vigorous U-jo and sad-feeling surfactants, and divided into male and female chants.
  • 2017.11.15
    designated date
    "Kimchi-making" is a daily and repetitive culture in which the entire Korean people participate as a community beyond regional, social, and economic differences. Kimchi is an indispensable food for Koreans regardless of the region, and it has become one of Korea's representative foods in recognition of its excellence internationally.

    It is an important component of Korean culture for a considerable period of time that contains the spirit of cooperation and sharing, and through this culture, individuals have become united in their relationships with the people, relatives, villages, neighbors, and new communities and have formed their identity.

    "Kimjang," the core of kimchi-making, contains traditional knowledge that nature and humans can live together, and the spirit of sharing, solidarity and harmony that emphasizes to maintain the good of society continues to modern society.

    In the past, if intergenerational transmission was carried out mainly in women's communities such as mothers and daughters-in-law based on accumulated experience and knowledge, Hyundai is becoming an active entity where science is integrated and men participate in kimchi, and schools, private organizations, and local governments are also actively participating in various forms of kimchi culture.

    In addition, the various fermented bacteria in kimchi show biological diversity and local diversity, giving a glimpse of cultural diversity derived from natural environment.

    Making kimchi did not recognize certain holders or organizations in that it was a lifestyle and culture handed down throughout the country rather than requiring high-level special skills.

K-History (6)

  • 1962.12.20
    designated date of national treasure
    The construction of Seokguram Grotto was begun in 751 under the leadership of Prime Minister Kim Dae-seong during the reign of King Gyeongdeok of the Silla Dynasty, and was completed in 774 (the 10th year of King Hyegong’s reign), whereupon it was given its original name of Seokbulsa Temple.
    Buddhist art reached its peak during King Gyeongdeok’s reign, which spanned the middle period of the Silla Period, Besides Seokguram Grotto, many other cultural treasures were built during this period, including Bulguksa Temple, Dabotap Pagoda, the Three-story Stone Pagoda of Bulguksa Temple, and the Bell of Hwangnyongsa Temple.
    The artificial stone grotto was built halfway down Tohamsan Mountain with pieces of white granite. The principal statue of Sakyamuni Buddha was placed at the center of the grotto, and forty statues of various bodhisattvas, Buddha’s disciples, and guardian kings were carved on the surrounding walls, though only thirty-eight of them remain. The rectangular front chamber of the grotto is connected to the round main chamber by a corridor. The exquisite ceiling of the main chamber was made with more than 360 flat stones. The architectural technique used to build this grotto is unprecedented in its excellence. There are statues of four guardian deities on both the left and right sides of the front chamber, which functions as the entrance to the main chamber. Carved on both sides of the entrance to the corridor is a statue of the Vajra Guardians, while the narrow corridor is decorated with the Four Guardian Kings carved in pairs. There is an octagonal stone column on both sides of the entrance to the round main chamber. The Principal Buddha is placed slightly off center toward the back of the main chamber. From the entrance, the walls of the chamber are filled with the images of two devas, two bodhisattvas, and ten arhats. Standing behind the Principal Buddha is a statue of the Eleven-faced Avalokitesvara Bodhisattva, perhaps the most exquisitely carved statue found inside this grotto.
    Every single sculpture contained in the grotto may be considered a masterpiece of East Asian Buddhist art. The list of masterpieces includes the principal image of Buddha, which was created with mature carving skills; the Eleven-faced Avalokitesvara Bodhisattva with its magnificently carved face and body; statues of valiant warriors and the majestic Four Guardian Kings; and the supple graceful statues of various bodhisattvas and arhats, each of which displays a distinctive individuality. In particular, the serene appearance of the Principal Buddha enshrined in the main chamber deepens the mystical atmosphere. The extremely natural appearance of the Principal Buddha seems to present to all Living people the ideal model of a man harboring a profound and sublime mind deep within him and easily pass to them his everlasting mercy. Seokguram Grotto is a masterpiece of the golden age of Buddhist art in Silla. What makes it stand out all the more is its perfect combination of architecture, mathematics, geometry, religion, and art. Seokguram Grotto has long been preserved as National Treasure No. 24, and was jointly registered as a UNESCO World Heritage in December 1995 along with Bulguksa Temple.
  • 1963.1.21
    designated date of treasure
    Bosingak Belfry was used during the Joseon dynasty to keep the time. The bell would ring 33 times at 4 AM, signaling the start of the day and the opening of the city gates. At 10 PM, the bell would ring 28 and the gates would close for the night. The bell was originally installed at Wongaksa Temple in 1468, in the 13th year of King Sejo, but was moved to its current location in 1619. The bell has high cultural value due to the exact year of construction being known, allowing historians to accurately date artifacts from the same time period. The original bell, National Treasure No. 2, is preserved in the National Museum of Korea.

    Tourists to Jongno-gu and locals alike can enjoy a Living history through the bell-ringing ceremony that takes place for one hour every day (excluding Mondays), starting at 11:20. In addition, Bosingak Belfry is the location of Korea's very own "ball drop ceremony" on December 31. On this evening, the streets surrounding the belfry are closed to traffic and people gather to ring in the New Year with the striking of the bell.
  • 1978.4.14
    Opening Day
    Sejong Center for the Performing Arts, located in Sejong-ro, Jongno-gu, Seoul, was established by the Seoul Metropolitan Government and is one of Seoul's leading cultural and artistic institutions

    The Sejong Center for the Performing Arts, which has held many cultural events since its opening in 1978, is also a Living witness of Korea's modern cultural and artistic history.

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