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K-Pop & Trot (5)

  • 2021.1.19
    Release date
    If you can refute our relationship, refute it.

    DEVIL's new message to a world full of jealousy and envy.

    It is a song that shows intense sound that is contrary to the music that ONEUS has shown for the first time with Hybrid Trap for the first time.

    A variety of Musical Instruments and harmonious sounds are attractive, ranging from drums and bass to strong and trendy guitar riffs that heavily press hip-hop as a base.

    As you move toward the latter part of the song, the atmosphere and overwhelming vocals explode adrenaline.

    The maximized performance made ONEUS' DEVIL more attractive.
  • 2019.5.30
    Release date
    It is an acoustic ballad song that allows you to enjoy abundant sound through Musical Instruments recorded as a real session, and the lyrics express empathy by comparing the heart of a lover who is in familiarity and comfort on a cool summer night, and the vocals of 20-year-old singers and Yoon-ah, who participated in featuring, maximized the emotional atmosphere of the song.
  • 2020.6.1
    release date
    The title track 'MORE & MORE' is a song about feelings that make you crave more for your opponent when the excitement and sweetness of love ripens. The tropical house rhythm doubled the trendyness. In the chorus, Musical Instruments were placed so that they could focus on the splendid performance.

    MORE & MORE's music video uses vivid colors and light to create a fascinating and intense feeling. It gives visual pleasure with fantastic objects that might come from fairy tales. The nine members transform themselves into forest goddesses to maximize the mysterious and dreamy atmosphere. On top of that, the group dance scenes on the geometric underwater set taken in Jeju Island make it hard to take one's eyes off.

K-Traditional Music (10)

  • 2020.12.2
    Recommended music
    "Pasakalia," a concerto of the gayageum Sanjo in the Gangtae Hongryu Period, combines the melody and rhythm of Sanjo, Korea's representative instrumental music, with Pasakalia, a variation of the Baroque period.

    Originally, Pasacalia is a form in which a diastolic variation is carried out in the high notes by repeating the same three-beat, eight-syllable low-pitched theme, in which the theme of low-pitched gayageum and Mars (Cm, AbM7, FM7, and Gm7) were added in reverse to prepare for the existing rheumatic gayageum melody.

    Jinyang Jojangdan's three-beat six-word structure and eight-word Parsakalia-style Musical Instruments are sometimes played by Jungmori rhythm, forming a Musical instrument in different joints and sometimes matching each other.

    The first Seoju section presents a low-pitched theme and harmony, and the emergence of Gayageum melody and the contending structure of the Musical composition, but as the song progresses, the gayageum melody, and the low-pitched theme and harmony are integrated into one perfect harmony.
  • 2019.12.11
    Recommended music
    [Austria Bean Music Fairline Golden Hall]

    Sponsored by Crown-Haetae Confectionary, 'the 5th Korean Pungryu European Tour' is a meaningful performance to present the essence of Korean traditional music on the European stage with Korea's best 'Myeonginchang' and conveys the beauty of Korean traditional music.

    <Survival: Kang Young-geun, Danso: Kwak Tae-gyu>

    Su Ryong-eum is a Musical piece that shows the music culture of the royal court and scholars of the Joseon Dynasty.

    Water Dragon Eum is played with various Musical Instruments, which are enjoyed by the spirits of raw sulfur, Danso, yanggeum and Danso (duet).

    The song title "The Water Dragon sound" means "The Dragon song playing in the water.
  • 2020.12.23
    Recommended music
    Gayageum player Jeong Jeong-yoon graduated from the Department of Korean Music at Busan National University's College of Arts and is currently active in Ulsan.

K-Cultural Heritage (36)

  • 1995.11.10
    designated date
    The Musical instrument, commonly known as the instrument used to play music, has been used in traditional music since the Three Kingdoms Period, and about 60 types of Musical Instruments have been introduced, including unique Instruments from Korea, and foreign Instruments imported from China, the West, and other regions. As Korea was adjacent to the northern continent, Chinese and Western music was already introduced during the Three Kingdoms Period. Especially after Silla unified the three kingdoms, Tang Dynasty music was imported.

    By the Goryeo Dynasty, Song Dynasty folk music and aak were imported, and by the time of King Yejong's reign, Ahak was introduced, and it still came in large quantities. These Instruments were classified according to the main ingredients needed to make Musical Instruments in "Jeungbo Munheongo," and in particular, the Musical Instruments used for the unique traditional music, as well as the Instruments used for Ahak and Dangak.

    By the Japanese invasion, national sovereignty was lost and court musicians became free men. Of course, unlike the heads of government-affiliated Musical Instruments who made Jeongak-centered Instruments, Sanjo-centered Instruments were being produced in the private sector. This sanjo instrument can be said to be for individual performance, making it more cheerful and easier to transport than a group-oriented Jeongak instrument. During the Japanese Colonial Period, Kim Myeong-chil was named in Jeonju, and Kim Boong-gi (Kim Hak-gi) was named in Jeongeup.

    After Korea's liberation from Japan's colonial rule, Kim Myeong-chil's technique was followed by his son Kim Gwang-ju, who became the No. 42 instrument master in 1971. He moved to Seoul to teach Choi Tae-gwi, Go Heung-gon, and Lee Young-soo before passing away in April 1984. Originally, Yi Yeongsu was designated as a cultural asset of Jeollabuk-do with the functions of Kim Bungi in Jeongeup, but he also received the functions of Kim Gwang-ju.

    The Musical instrument director originally thought he would make all Instruments, but now he is divided into a drum, a jango, a gong, a gong, a jing, a salted fish, a flute, a gayageum, a geomungo, and a haegeum.
  • 2002.11.15
    designated date
    Pulpis literally mean playing a flute with grass. The Chinese character is also called Chokjeokkeum, which is played by folding leaves or grass leaves and whistling them on the lips. It is said that peaches and citron leaves are used a lot.

    The record of the grass flute is the oldest recorded reed or reed flute in "Suseo" and "Dongdongjeon-dong" and also features a portrait performance in the poem "Someone picks a green leaf from a forest, blows it in his mouth, and makes a clear sound" in the poem "Moon Ga-seong" by Lee Gyu-bo during the Goryeo Dynasty. In 1493, "Akhakwebeom School" compiled by Seonghyeon and others during the reign of King Seongjong of the Joseon Dynasty recorded the types, materials, and methods of performing the full flute in detail. In "The Annals of the Joseon Dynasty," there are several records showing that the court had a musician playing the initials. In addition, a collection of calligraphic works by various writers showed that they enjoyed playing them from the top to the king to the commoners below. And Kang Choon-seop, a first-time music expert on meteoric albums, has recorded music such as "Hwimori" and "Gutgeori" with the same music as Sanjo. As such, the Pulpieri has been one of the Musical Instruments enjoyed by the Korean people throughout its long history, and has been recognized not only by the private sector but also by the official instrument.

    "The Evil Trapezius" records that anyone can play the instrument so easily that it is not difficult to make a sound and play it by saying, "You don't need the teachings of your ancestors, and you can only know all the syllables first." In fact, the full flute is easy for anyone to learn and play, and any music can be freely played. Today's first play is a folk song, a Cheongseong song, a Sanjo song, and other traditional pieces of music.

    In Gyeonggi-do, Oh Se-cheol was designated as the holder of a full flute, and he continues to perform actively.
  • 1980.11.17
    designated date
    Jeju Chilmeori Dangyeondeunggut is a rite held at Chilmeoridang, the main hall of Geonip-dong, Jeju.

    Geonip-dong is a small fishing village on Jeju Island, where residents held a ritual to pray for the peace and prosperity of the village to the two couples, the city's guardian deities, Dowonsu Inspection and Local Government, and the Yowwanghae Shrine, by catching fish and shellfish or making a living by working as a haenyeo.

    Along with the couple's guardian deity, a ritual was held to honor the deity of Yeongdeungpo, which was held on February 1 from the Oenunbaeki Island or Gangnam Cheonjaguk to enrich the fishermen and haenyeo and return to their home country on February 15.

    Danggut is held on February 1 and February 14 of the lunar calendar every year. On February 1 of the lunar calendar, when Yeongdeungpo god enters, Yeongdeungpo Hwanyeongje is held, and on February 14, the day before he leaves Yeongdeungpo god, Yeongdeungpo Songbyeolje is held.

    Residents believe that the god of Yeongdeungpo receives a bigger farewell than the welcoming ceremony and leaves the next day after receiving a farewell ceremony in Udo, Gujwa-eup. Therefore, during the welcoming ceremony, only the owners of the ship or the religious people gather to perform a simple exorcism, and the farewell ceremony is held all day long, with many fishermen, haenyeo and other religious people gathering.

    On Good Day, fishermen and haenyeo in Jeju City as well as residents of Geonip-dong will participate. And each family prepares food for ancestral rites and brings it to the sugar. Main Simbang performs the exorcism with singing and dancing to the rhythms of Musical Instruments such as gong, drum, and seolsoe.

    The order of the exorcism rite is to invite all the gods to pray for the good fortune of the families who participated in the rite, to call in the local magistrate of Dowonsu, the local magistrate of the hometown, and Mrs. Yowanghae to pray for the peace of the village, to welcome the dragon and the god of Yeongdeungpo, to the safety of the fishermen and the haenyeo, to the sea again, and to the seeding of the sea.

    Jeju Chilmeori Dangyeondeunggut is a rite containing Jeju Island's unique haenyeo beliefs and folk beliefs about Yeongdeungpo-shin, and has its unique and academic value in that it is the only haenyeo rite in Korea.

    ※ Rename: Jeju Chilmeoridanggut 제주 Jeju Chilmeoridang Yeondeunggut (Changing Date: 2006.6.19).

K-History (1)

  • 1978.2.22
    Samulnori's Birthday
    ☆Samulnori means four types of Musical Instruments: kkwaenggwari, janggu, buk, and gong.

    Samulnori is an adaptation of a large-scale outdoor Pungmul Nori as a stage art in 1978.

    While pungmul nori emphasized the activity of outdoor performances along with large-scale plays, samulnori is a form of performance that emphasizes the emotion that can be felt in the instrumental sound itself.

    It plays various rhythms and proceeds as a method of development of eccentricity (start, progress, climax, finish) in the periodic flow of tension and relaxation.