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K-Pop & Trot (8)

  • 2015.11.30
    release date
    [Hwayangyeonhwa pt.1] It's an exciting alternative hip hop song that continues the funky vibe of "BTS".

    It is a hometown hymn that connects "Paldo Gangsan", which sings about their hometown in dialect rap, and contains the perception that it is a reality that has been walking with affection for the cities where members were born and raised, such as Ilsan (Lap Monster), Daegu (Suga), Busan (Jimin), and Gwangju (J-Hope).

    You can enjoy the excitement of BTS, which boasts the brilliant wit and beagles of K-pop groups that lead the Korean Wave.
  • 2020.2.21
    release date
    Lee Chul-hee (drum), Kwon Song-hee (vocal), Jang Young-kyu (bass), Lee Na-rae (vocal), Shin Yoo-jin (vocal), Jung Joong-yeop (bass), and Ahn Yi-ho (vocal) X Ambigious Dance Company

    ♡ It is soon enthralled by repeated lyrics and sensuous grooves.

    This familiar situation in which a housewife who came ashore for a rabbit's liver meets a tiger is a part of pansori "Sugungga."

    The alternative pop band, which is made of "hip" dance Music from the old song "pansori," was very popular for singing the deep mountain tiger (pansori).☆
  • 1987.5.7
    release date
    Starting with the KBS Song Awards' Rookie of the Year award in 1986, Kim won the Artist of the Year award five times in a row from 1987 to 1991.

    Kim Wan-sun, who created the modifier "Madonna of Korea" since her debut in 1986, opened "The Age of Teen Idol Star," "The Age of Real Dance Music," and "The Age of Seeing Music."

    In the history of Korean pop Music, it is considered to be the beginning of a modern-day female dance singer.

K-Traditional Music (56)

K-Cultural Heritage (2)

  • 2009.12.7
    designated date
    San Joaeng is a Musical instrument created by the originality of the Korean people, and Sanjo is also a Music that can be designated as a World Heritage Site just like Pansori. Sanjo, which is rooted in shamanism and pansori, retains the history and tradition of the Korean people, and has become highly professional and artistic through the formation and development process of Sanjo.

    Currently, the Ajaeng Sanjo is not designated in any city or province in the country, and Park Yong-tae's Sanjo, based in Busan, has very few people who wish to be transferred due to the lack of a base population. In addition, due to economic and learning difficulties, effective transfer of young people, including early transfer, is not possible, and preservation is in danger.

    Park Yong-tae is a first-generation apprentice to Han Il-seop, the founder of Ajaeng Sanjo. Park Yong-tae's genealogy, along with other masters of the same-literature Korean classical Music, is clear and the legitimacy of the melody is beyond question. It is no exaggeration to say that his Musical skills and standards are unrivaled, and he is performing extensively on stages across the country, as well as in Busan and the Yeongnam region.

    Park Yong-tae's "Ajaeng Sanjo" (Park Dae-sung-ryu) has a lot of Ujo-seong rhythms, unlike ordinary mountains. In other words, the ordinary mountain bird is composed mainly of surfactant rhythms, giving the impression of pleading and purring, while the Park Dae-seong's Ajaeng Sanjo has a strong and magnificent feeling. This Musical feeling is in line with the Musical characteristics of Menarijo, a Musical characteristic of Gyeongsang-do. Therefore, the Ajaeng Sanjo of Park Yong-tae (Park Dae-seongryu) can be seen as having enough of the characteristics of life of the people of Gyeongsang-do.

    Currently, he is transferring from a New building to a New building located in the former Dongnae area of the Dongnae-gu Hot Spring Park. Dongnae Kwon Bun was a popular attraction where master singers from all over the country gathered to inherit the tradition of Korean traditional Music in Busan after Japanese colonial era.
  • 2013.8.5
    designated date
    The wild song in Galgok-ri, Yeongam, is a wild song that represents the song of rice paddy farming in the lower reaches of the Yeongsangang River, which is inherited in Galgok-ri, Sinbuk-myeon, Yeongam-gun, and is preserved in its original form.

    The Galgok-ri wild song contains the entire process of rice farming and the wisdom of our ancestors who worked to relieve their fatigue by singing.

    The composition of the song is 1 Mochi sound, 2 Mochi sound, 3 Nonmaegi sound - Chobeolmaegi (earning sound in the morning, afternoon sound) 4 dubeolmaegi (earning sound in the morning, afternoon sound), mandri (Uyasori), and Jangwon Pungjangmjangsori (Arong dalong).

    The "Gorgok-ri wild song" has a unique feature: morning and afternoon excursion. It is unique to the traditional style of farming. In traditional farming songs, the sounds of the two birds are the same, but in Galgok-ri, it was more efficient to sing different sounds in the morning and afternoon than to sing the same sound all day long. In particular, the folk Music ‘eonmori’ used in piping, Cholla provinces <span class onmouseover = ' ' 2 = ' xml up 2 () ' () 2) ' onmouseout = ' dn> with the same configuration Muga. in (舞歌) </ span>The (New) tune and in line when the East Sea coast, Muga, Prodo Enea Grand Reserva, it seems that relatively a long history.<span class = ' ' 2 xml onmouseover (399) / 2 = ' up onmouseout = ' ' () 2 dn> an old law to conform, and of the (古制) </ span>. In 2004, he received the Presidential Prize at the 45th Korean Folk Arts Festival and was recognized as a valuable cultural heritage.

K-History (0)

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