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K-Pop & Trot (3)

  • 1992.11.15
    release date
    He started his career as SM Entertainment's No. 1 singer.

    It is a hip-hop song from singer Hyun Jin-young's second album "New Dance 2" (1992). It was composed by Lee Tak.

    With its explosive popularity, it heated up the end of 1992. It was the mega-hit number of the time when it topped the KBS top 10 list for a total of five weeks, followed by MBC's 'Your Popular Song' for seven consecutive weeks and SBS's SBS Popular Song for six consecutive weeks.

    It is a representative music of Generation X with a high degree of perfection, hoodie, costumes represented by a large X mark, and colorful performances.
  • 2020.2.29
    Release Date
    "On This Road to You" sung by world star EXO Baekhyun" is a song inserted in the drama hyena starring Kim Hye-soo and Joo Ji-hoon, which drew attention by achieving the highest viewer rating of 10.5 percent from the first episode.

    This song is a song that expresses the hope that the heart can be reached for the loved one, and it is a more immersive ballad with Baekhyun's affectionate and appealing voice, who has established himself as a luxury vocalist on the indifferent piaNo.
  • 1985.9.10
    release date
    'A March' is the first full-length album by Korean band Wild Chrysanthemum, which was released on September 10, 1985.

    It was released in 1985 and reissued as a CD in 1991.

    It is said to have opened the "New Music in the 1980s" and the "Renewal of Korean Popular Music" in the mid and late 1980s.

    With 207 points from 45 members of the panel, it was ranked No. 1 in the top 100 Korean pop music charts.

    It is estimated that 1.8 million copies of the album have been sold.

K-Traditional Music (1)

  • 2020.9.1
    Recommended music
    Sangryeongsan is the first piece of Yeongsanhoesang, which consists of a collection of nine songs, and is loved as a solo performance by Piri or Daegeum.

    Jeong Jae-guk, a master of Korean traditional music, will join young musicians who participated in the European performance of Korean traditional music in 2010 and showed the essence of the piri.

K-Cultural Heritage (139)

  • 1980.11.17
    designated date
    Byeolsingut refers to a rite to pray to Seonghwang (Seonang), the guardian of the village, every three, five, or ten years for a good harvest of peace and farming in the village.

    About 500 years ago, Hahoe Village in Andong, North Gyeongsang Province, performed a byeolsingut to Emperor Mujinsaeng on the fifteenth day of the New Year (December 15) every 10 years, and played mask games to entertain him along with the exorcism.

    Hahoebyeolsingut Talnori consists of eight madangs of Mudong Madang, Jujumadang, Baekjeong Madang, Halmi Madang, Pagye Seung Madang, Yangban, Seonbi Madang, Honrye Madang, and Sinbang Madang.

    Before the game begins, the day after the beginning of the first lunar month, if you go up to the cathedral, grab the descending pole with the sugar droplets, and lower the Holy Spirit, you move the sugar droplets to the Seonghwangdae and come down from the mountain. If Seonghwangdae and Naerimdae are built against the eaves of a verb, the play begins.

    The characters include Ju Ji-seung, Gaksi, Jung, Yangban, Seonbi, Cho Rang-i, Imae, Bunae, Baekjeong, and Halmi. The book is based on ridicule of Pagye-seung and biting satire and interpretation of the nobleman.

    Hahoe Byeolsingut Talnori has a ritualistic nature. In particular, Gaksital is believed to be a substitute for Seonghwangsin, and only Byeolsingut is to be seen. When taking it out, the ritual must be performed.

    The masks used for the game were made of 11 kinds of 10 types of duckwood, including jija mask, and the original was designated as Hahoe mask and Byeongsan mask (National Treasure No. 121) in 1964 by applying lacquer and pigments in two or three layers.

    The accompaniment of mask play is performed by a pungmul player with a gong-gwaengi at the center, and dance moves with a little bit of dance moves mixed with improvisation and routine movements.

    Hahoe Byeolsingut Talnori is characterized by the lack of a back-to-back party enjoyed by burning masks, and is valuable as a valuable source of information on the origin and origin of mask dramas in Korea.
  • 1980.11.17
    designated date
    Ogwangdae refers to mask dance in the southern part of the country, and it is widely believed that the name Ogwangdae comes from Ohaengseol. This game is played on the night of the fifteenth of lunar January, during which the ritual of Cheollongje was held on the first day of the first lunar month, and then the jisinbapgi was performed.

    The origin of Gasan Ogwangdae was that a box adrift on the beach of Gasan 100 years ago, and when residents opened it, it contained documents containing the lines of mask and play, and the mask was stored in the ark and used only for play.

    Gasan Ogwangdae Nori consists of six madangs of Obangsinjangmu, Yeongno Dance, Mundung Dance, Yangban Dance, Halmi Dance, and Yeonggam Dance, reflecting the life of the people, satire about yangban and pagyeseung, and the problems of wife and concubine.

    The characters include a total of 30 characters, including General Obang, Yeongno, Yangban, small yangban, Maltuki, Mundoong, Oldjang, Sangjwa, Seoul Baby, Somu, Halmi, Madangso, Yeonggam, Ongsaengwon, and Mudang.

    Gasan Ogwangdae is the only Ogwangdae in the country where the dance of Obangsinjangmu remains, and the only Ogwangdae where inspiration dies, not Halmi.

    In addition, one or two other Ogwangdae characters, but in Gasan Ogwangdae, five people come out to dance and play Jangtaryeong and Tujeon.
  • 2015.11.20
    designated date
    Seonghwangje is a communal ritual for the village that has been handed down from the gray area of Seonggok-dong, Danwon-gu, Ansan. This village ritual is considered to have specific characteristics in that it has the characteristics of a holy emperor.

    Seonggok-dong Jehommeori Seonghwangje is a village rite held by the residents of the village to pray to the guardian deity for good health, good health, and good harvests. The shrine houses Hong, the last king of Silla, and his mother-in-law, Ahn, as a village religion dating back to the reign of King Seongjong of the Goryeo Dynasty.

    It is handed down in the form of village ritual, and residents of about 10 villages in the vicinity, including Anmal, Doranmal, and Beolmal, are participating in the rite in early October every year.

    The Samhyeon Yukgak is accompanied by Janggun, Sinjang, Daegam, Daeshin, and tightrope walking.

    There is a legend that during the reign of King Seongjong of the Goryeo Dynasty (982-1997), the inner poet, Seo Hui, met a storm on his way to Song Dynasty, and he built a shrine and carried out his mission safely to release the sorrow of the spirit (Rain Hong and Ahn, the mother of King Kim Dae-dae, the king of Gyeongsun) that appeared in his dream.

    Seonggok-dong's gray-headed holy emperors have been held twice a year to greet the spring and autumn shingok. It is said that the Seonghwangje Festival was much larger than the Seonghwangje Festival, which took several months to greet the new song of autumn.

    The Hoemori Seonghwangje is of important value in that it is a joint ritual with a village nongak band in the form of the emperor.

K-History (11)

  • 1962.12.20
    designated date of national treasure
    The construction of Seokguram Grotto was begun in 751 under the leadership of Prime Minister Kim Dae-seong during the reign of King Gyeongdeok of the Silla Dynasty, and was completed in 774 (the 10th year of King Hyegong’s reign), whereupon it was given its original name of Seokbulsa Temple.
    Buddhist art reached its peak during King Gyeongdeok’s reign, which spanned the middle period of the Silla Period, Besides Seokguram Grotto, many other cultural treasures were built during this period, including Bulguksa Temple, Dabotap Pagoda, the Three-story Stone Pagoda of Bulguksa Temple, and the Bell of Hwangnyongsa Temple.
    The artificial stone grotto was built halfway down Tohamsan Mountain with pieces of white granite. The principal statue of Sakyamuni Buddha was placed at the center of the grotto, and forty statues of various bodhisattvas, Buddha’s disciples, and guardian kings were carved on the surrounding walls, though only thirty-eight of them remain. The rectangular front chamber of the grotto is connected to the round main chamber by a corridor. The exquisite ceiling of the main chamber was made with more than 360 flat stones. The architectural technique used to build this grotto is unprecedented in its excellence. There are statues of four guardian deities on both the left and right sides of the front chamber, which functions as the entrance to the main chamber. Carved on both sides of the entrance to the corridor is a statue of the Vajra Guardians, while the narrow corridor is decorated with the Four Guardian Kings carved in pairs. There is an octagonal stone column on both sides of the entrance to the round main chamber. The Principal Buddha is placed slightly off center toward the back of the main chamber. From the entrance, the walls of the chamber are filled with the images of two devas, two bodhisattvas, and ten arhats. Standing behind the Principal Buddha is a statue of the Eleven-faced Avalokitesvara Bodhisattva, perhaps the most exquisitely carved statue found inside this grotto.
    Every single sculpture contained in the grotto may be considered a masterpiece of East Asian Buddhist art. The list of masterpieces includes the principal image of Buddha, which was created with mature carving skills; the Eleven-faced Avalokitesvara Bodhisattva with its magnificently carved face and body; statues of valiant warriors and the majestic Four Guardian Kings; and the supple graceful statues of various bodhisattvas and arhats, each of which displays a distinctive individuality. In particular, the serene appearance of the Principal Buddha enshrined in the main chamber deepens the mystical atmosphere. The extremely natural appearance of the Principal Buddha seems to present to all living people the ideal model of a man harboring a profound and sublime mind deep within him and easily pass to them his everlasting mercy. Seokguram Grotto is a masterpiece of the golden age of Buddhist art in Silla. What makes it stand out all the more is its perfect combination of architecture, mathematics, geometry, religion, and art. Seokguram Grotto has long been preserved as National Treasure No. 24, and was jointly registered as a UNESCO World Heritage in December 1995 along with Bulguksa Temple.
  • 1962.12.20
    designated date of national treasure
    It was also called Namdaemun because it was located in the south of the main gate of Hanyangdoseong during the Joseon Dynasty. It was built in 1396 (the 7th year of King Taejo's reign) and was the oldest wooden building in Seoul.

    The building was rebuilt in 1448 (the 30th year of King Sejong's reign), and it was discovered that there was a big construction in the 10th year of King Seongjong's reign (1479) during the dismantling and repair of the building between 1961 and 1963.

    Later, on February 10, 2008, the fire at Sungnyemun destroyed the roof of the second floor of the pavilion and partially destroyed the roof of the first floor. After five years and two months of restoration work, it was completed on May 4, 2013 and opened to the public.

    This gate is a two-story building with a two-story square measuring 5 bays in front space and 2 bays in side space, with a rainbow-shaped gate in the middle of the stone pillars. The roof has a trapezoidal shape when viewed from the front, which is called the Woojingak roof. The multi-layered structure, which is decorated on the upper part of the pillars to support the eaves of the roof, is not only on top of the pillars but also between the pillars, and the composition is not too severe and is well-organized, showing the characteristics of the early Joseon Dynasty.

    It is said that Yangnyeongdaegun wrote the Hyeonpan, which reads "Sungnyemun," in the book "Jibong Yuseol." It is the oldest wooden structure in Seoul that shows the exact date of construction.

    ᄋ Sungnyemun's fire-fighting fire(2008.2.10)

    - The 2008 Sungnyemun arson attack was a case in which the Sungnyemun building was burnt down from February 10 to February 11, 2008. The fire broke out around 8:40 p.m. on February 10, 2008, and the second floor of Sungnyemun collapsed around 0:40 a.m. on February 11, 2008, followed by a fire on the first floor, damaging buildings except stone pillars at 1:55 a.m., five hours after the fire.
  • 1962.12.20
    designated date of national treasure
    Dabotap Pagoda and Seokgatap Pagoda (the Three-story Stone Pagoda of Bulguksa Temple, National Treasure No. 21) are the two most renowned pagodas in Korea. They are similar in height (10.29m and 10.75m), and stand facing each other, Dabotap Pagoda in the east, Seokgatap Pagoda in the west, between Daeungjeon Hall and Jahamun Gate of Bulguksa Temple . Dabotap is a unique type of pagoda, while Seokgatap Pagoda (also known as “Sakyamuni Buddha Pagoda”) is representative of the more general type of stone pagoda. The two pagodas were built at the same site to reflect the content of the Saddharmapundarika Sutra (The Lotus Sutra), in which the Dabo Buddha (“Buddha of the past”) stands beside Sakyamuni (“Buddha of the present”) to prove that his Buddhist sermon is right. Bulguksa Temple was founded by Kim Dae-seong’s offer in 751 (the 10th year of the reign of King Gyeongdeok of Silla).
    Samguk yusa (Memorabilia of the Three Kingdoms) states that Kim Dae-seong built Seokguram Grotto for his parents in his former life, and Bulguksa Temple for his present parents. However, the temple was not completed at the time of his death, so it was finished afterwards by the kingdom, and in the end, the temple was run not for the private individual Kim Dae-seong but for the benefit of the kingdom as a whole.
    Bulguksa Temple can be said to be the realization of the Buddhist paradise in which Buddhist monks of past, present, and future live together. It clearly reveals aspects of the spiritual world of the people of Silla. While it is perfectly clear that Seokgatap Pagoda is a three-story pagoda standing on a two-story platform, it is difficult to count the number of stories of Dabotap Pagoda. In fact, even experts have diverging opinions, with some saying it is has four stories and others that it has only three. However, the uniqueness of Dabotap Pagoda can be seen in the structure of each part. Stone staircases are attached to each side of the cross-shaped platform, with an octagonal pagoda body surrounded by square railings placed upon it. It is presumed that the pagoda was built in 751 during the construction of Bulguksa Temple.
    This work is a masterpiece that beautifully expresses the complicated structure of wooden construction without any distraction by the use of through novel ideas. The work exhibits the artistic sensibility of Unified Silla through its well-organized structure consisting of squares, octagons, and circles, and in its length, width and thickness, which are standardized in every part. During the Japanese Colonial Period, the Japanese dismantled and repaired the pagoda around 1925, but they left behind no records of this work. In the process, Artifact, reliquaries, and other artifacts that must have been placed inside the pagoda all disappeared. In addition, of the four lions originally placed on the stone staircases of the pagoda, the Japanese took away three, all of which must have been in good condition. Though there have been continuous efforts to retrieve these precious cultural heritages, no trace has been found of them as yet.

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