The Korean traditional music is composed of sijo poems (Korean traditional poetry) and sung to orchestral accompaniment. It is also known as 'Sakdaeyeop' or 'Song'.

The original version of the song is Mandaeyeop, Jung Daeyeop, and Sakdaeyeop, but the slow song, Mandaeyeop, disappeared before the reign of King Yeongjo (r. 1724-1776), and Jungdaeyeop (r. 1724-1776), and Jungdaeyeop (r. 1724-1676), which was not sung at the end of the Joseon Dynasty.

The current song is derived from the "Sakdaeyeop," a fast song that appeared since the late Joseon Dynasty, and various rhythmical related songs have formed a five-piece collection of songs.

Currently, 41 songs are handed down, including the Ujo and the Gyemyeonjo, 26 male and 15 female songs, but the female versions of the male and female songs are slightly modified so that women can sing the male and female songs, which are almost identical to the male chant. However, there is a difference between the melody that shows the delicacy of the female singer and the low-pitched voice.

According to the format, a poem is divided into five chapters, and the prelude, a rental note, and a second, three, three, four, and five chapters are repeated. The highly organized and well-organized performance consists of geomungo, gayageum, haegeum, daegeum, danso, and janggu.

Songs have been in existence for many years without change, and are of high artistic value that have been handed down by experts compared to other music being popular.

Korean crowns have been produced and developed in Korean folk life since prehistoric times, especially Hwagwan and Jokdu-ri were developed as crowns for women's hair decoration before the Three Kingdoms Period, and were handed down as relics from the Joseon Dynasty. Due to the loss of economic value, it is not easy to inherit as a single item of tubular hair, so preservation as an intangible cultural asset is essential in Seoul.

On November 16, 2017, the Gwanmojang was designated as Seoul Intangible Cultural Property No. 50, and Park Seong-ho was recognized as the holder of the Gwanmojang.

※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616)

Flag and entertainment for producing "paper flowers (jihwa)" for traditional Korean paper, which are used in traditional rituals and Buddhist ceremonies by natural dyeing of traditional Korean paper.

- There are a total of 17 types of finger paintings in possession of functions, including wood, peony, etc., and 13 types of pigments collected from plants are mixed and used for dyeing.

Made by repeatedly folding, cutting, pasting, and tying dyed paper with a string.

- Ingredients include hanji that makes flower petals and flower shapes, and bamboo, sari trees and grass for adhesion needed to make flower beds.

The stone lantern in front of Muryangsujeon Hall in Buseoksa Temple in Yeongju is a stone lantern of Silla during the period of the two Koreas in front of Muryangsujeon Hall in Bukji-ri, Buseok-myeon, Yeongju-si, Gyeongsangbuk-do.

It is designated as National Treasure No. 17 of the Republic of Korea and is 2.97 meters tall. The octagonal shape is made of granite.

It is the most beautiful stone lantern representing the Unified Silla Period, and its proportionate harmony is beautiful, colorful, and elegant.

In particular, the elaboration of the bodhisattva carved on the four sides of Hwasa Stone further highlights this stone lantern.

Hwaseong Fortress, designated as a UNESCO World Cultural Heritage Site on December 12, 1997, has deep history protecting the capital from outside attack. Hwaseong Fortress offers various performances daily as well as Suwon Hwaseong Cultural Festival every fall. The fortress circles Paldalsan Mountain at the center for 5.7 kilometers long. The fortress, constructed from 1794 to 1796, was built as a display of King Jeongjo’s filial piety towards his father and to build a new pioneer city with its own economic power.

Gwanghwamun is the main gate to the south of Gyeongbokgung Palace. It means "the great virtue of wages reflects the whole country."

Built in 1395, a pair of hatch sculptures are located on both sides of Gwanghwamun, a two-story pavilion. There are three Hongyemun (Archimun) on the stone pillars of Gwanghwamun. The middle door was the king's, and the other left and right doors were the servants' doors.

On the ceiling of the gate in the middle of Gwanghwamun, there is an abacus. Gwanghwamun was destroyed twice by the Korean War, and on August 15, 2010, some restoration works were completed except for Woldae and Haitai.

In modern times, the name "Gwanghwamun" itself is not only used as a castle gate, but also as a common name for Sejong-ro in Beopjeong-dong, including Sejong-daero and Gwanghwamun Square.

In fact, the Sejong-daero intersection, where Sejong-daero, Jongno-gu and Saemunan-ro intersect, is about 600 to 700 meters away from Gwanghwamun, but it is often called "Gwanghwamun intersection (intersection)".

The Uijeongbu and Yukjo government offices were established to perform key administrative functions since the Joseon Dynasty, and this area is one of the places where Seoul's history is implied along with Sungnyemun Gate.

In other words, it is one of the landmarks in Seoul.