[Sori Me 6th Regular Concert]

Ilseungwolhang is a song of the late Joseon Dynasty's annual music.

Performance: Park Yong-ho, Jeon Myung-shin and Sorime members

Jisung Craft is also known as Nojikkae, which is made by twisting paper into a container. Although the exact date of the outbreak is unknown, it is estimated that there were many paper bowls during the Joseon Dynasty, which had been handed down since then.

Cut Korean paper and soak it in water to make it. Fold the twisted paper string in half and weave it one by one. A pattern or shape can be freely changed and a pattern is applied to a paper bowl with a form. Finally, it is finished by polishing with cashew, a kind of paint. They make baskets, trays, suspenders, shoes (meturi) with paper straps.

Jiseungjo was designated as an intangible cultural asset in order to transfer and protect technology as a traditional craftsmanship. It has been cut off for some time by Choi Young-joon, a functional holder living in Hongseong-gun, Chungcheongnam-do.

"Woljeongsa Top Doll" was handed down through Japanese colonial era and 6.25, and Monk Manhwa, who was appointed as the host in 1969, restored and systematized the traditional top Dori.

Since then, the "Woljeongsa pagoda" has been in service every year since its demonstration at the Odaesan Buddhist Culture Festival in 2004 after going through a period of stagnation in the 1980s and 1990s. Since 2013, the tower has been held every month on the fifteenth and the first day of the month.


In addition to Woljeongsa Temple, Tapdol is performed by Beopjusa Palsangjeon Tower Stone, Chungju Central Tower Stone, Tongdosa Pagoda, and Manboksa Pagoda, but it is the only one designated as an intangible cultural asset.

Tapdoli is a ritual that has a long history that was mentioned in the history of the Three Kingdoms.


Source: Hyundai Buddhist Newspaper (http://www.hyunbulnews.com)

The owner of Ko Yun-hak is a master craftsman who has learned and mastered traditional Buddhist woodwork at the site, and has a foundation and a foundation for practicing Buddhist wood carving techniques, including the restoration of traditional Buddhist and bodhisattva statues and the production of maimed tools in traditional ways, as well as a foundation for mastering and practicing Buddhist wood carving techniques.

Dabotap Pagoda and Seokgatap Pagoda (the Three-story Stone Pagoda of Bulguksa Temple, National Treasure No. 21) are the two most renowned pagodas in Korea. They are similar in height (10.29m and 10.75m), and stand facing each other, Dabotap Pagoda in the east, Seokgatap Pagoda in the west, between Daeungjeon Hall and Jahamun Gate of Bulguksa Temple . Dabotap is a unique type of pagoda, while Seokgatap Pagoda (also known as “Sakyamuni Buddha Pagoda”) is representative of the more general type of stone pagoda. The two pagodas were built at the same site to reflect the content of the Saddharmapundarika Sutra (The Lotus Sutra), in which the Dabo Buddha (“Buddha of the past”) stands beside Sakyamuni (“Buddha of the present”) to prove that his Buddhist sermon is right. Bulguksa Temple was founded by Kim Dae-seong’s offer in 751 (the 10th year of the reign of King Gyeongdeok of Silla).
Samguk yusa (Memorabilia of the Three Kingdoms) states that Kim Dae-seong built Seokguram Grotto for his parents in his former life, and Bulguksa Temple for his present parents. However, the temple was not completed at the time of his death, so it was finished afterwards by the kingdom, and in the end, the temple was run not for the private individual Kim Dae-seong but for the benefit of the kingdom as a whole.
Bulguksa Temple can be said to be the realization of the Buddhist paradise in which Buddhist monks of past, present, and future live together. It clearly reveals aspects of the spiritual world of the people of Silla. While it is perfectly clear that Seokgatap Pagoda is a three-story pagoda standing on a two-story platform, it is difficult to count the number of stories of Dabotap Pagoda. In fact, even experts have diverging opinions, with some saying it is has four stories and others that it has only three. However, the uniqueness of Dabotap Pagoda can be seen in the structure of each part. Stone staircases are attached to each side of the cross-shaped platform, with an octagonal pagoda body surrounded by square railings placed upon it. It is presumed that the pagoda was built in 751 during the construction of Bulguksa Temple.
This work is a masterpiece that beautifully expresses the complicated structure of wooden construction without any distraction by the use of through novel ideas. The work exhibits the artistic sensibility of Unified Silla through its well-organized structure consisting of squares, octagons, and circles, and in its length, width and thickness, which are standardized in every part. During the Japanese Colonial Period, the Japanese dismantled and repaired the pagoda around 1925, but they left behind no records of this work. In the process, Artifact, reliquaries, and other artifacts that must have been placed inside the pagoda all disappeared. In addition, of the four lions originally placed on the stone staircases of the pagoda, the Japanese took away three, all of which must have been in good condition. Though there have been continuous efforts to retrieve these precious cultural heritages, no trace has been found of them as yet.

The Three-story Stone Pagoda of Bulguksa Temple in Gyeongju is a three-story stone pagoda of Silla during the period of the Northern and Southern States, located in Bulguksa Temple in Gyeongju.

The original name was Seokga Yeorae Sangjuseol Pagoda, which is commonly called Seokga Pagoda for short for short.

The pagoda is also called "Muyeong Pagoda (a tower without shadow), which is a sad legend about Asadal, a stoneworker of Baekje who built the pagoda, who had to throw herself into the pond without meeting her husband.

Standing side by side with the Dabotap in front of Daeungjeon Hall of Bulguksa Temple, it is designated as National Treasure No. 21 of the Republic of Korea.