A labor song that has been handed down in Mojeon-dong, Mungyeong-si (playful song)

Jung Jae-guk

Important Intangible Cultural Property No.46 Piri Jeongak and Daechwita holders

No. 1 player in Jeongakpiri and Taepyeongso

[Jukhyang Isang River]

Born in Tokyo, Japan in 1937, he returned to Busan with liberation.

Having been talented in wind instruments since childhood, he started learning how to play the Danso from his father when he was five years old, followed by Lee Duk-hee, Ji Young-hee, and Jeon Chusan as his teachers and learned how to play the flute, Danso, Tungso, salt, and Taepyeongso.

He was also taught by Han Ju-hwan (1849-1925) and Park Jong-ki (1879-1963), who inherited the tune of Han Sook-gu (1849-1939), known as the founder of Daegeum Sanjo, and pioneered a new field of Daegeum Sanjo.

No.45 Important Intangible Cultural Property and Daegeum Sanjo Entertainment Owner who has devoted himself to Daegeum with a thousand years of history as part of Silla Samjuk

Sandae nori refers to the mask dance of the central region. Songpa Sandae Nori is a popular play that combines dance, mime, words of virtue and humor as a branch of Sandae-do Gamgeuk enjoyed in Seoul and Gyeonggi Province. This play was performed every year on the fifteenth day of the first lunar month and on Dano, Baekjung, and Chuseok.

Songpa Village was the commercial base of Gyeonggi Province, and it was said that about 200 years ago, when Songpa Market was the most prosperous, Sandae Nori became popular and was completed in the form of a play that still conveys to this day. Songpa Sandae Nori consists of seven chapters, and prior to the play, it is equipped with masks and costumes, played on the road to the venue of the performance while playing music, arranged masks and performed ancestral rites.

The composition of the play, exaggeration, dance, and mask are almost similar to Yangju Byeolsandae Nori, but several masks, dances, and roles are characterized by their old forms. In other words, in Yangju Byeolsandae Nori, the cremation dance moves that have already disappeared, and the masks of the mother of childbirth, Shin Hal-mi, and the shaman remain, so there are separate roles for these masks. Thirty-three masks made of a bowl, pine bark, and paper are used, and the play style, like other mask dances, is mainly dance, accompanied by jokes and movements.

The Boryeong area has been famous for producing excellent stones called Nampo Oseok since ancient times.

Nampo Oseok was used as a monument to preserve writing for a long time due to its good stone quality, and about half of the royal tombs of the Joseon Dynasty were made of Nampo Oseok, and today the president's tombstone also used Nampo Oseok. As a result, the stone industry was developed more than anywhere else in Boryeong, and excellent stone burials were found.

Currently, there are many stone statues in the Boryeong area, including Goseoksan Mountain (1955~ ) from Ungcheon, Boryeong, which is an excellent stonesmith in Boryeong, and produces many excellent stone crafts, including statues of Buddha, and was designated as an intangible cultural asset.

Goseoksan Mountain, which was first introduced as a stone craftsman in 1968 with Jeong Jong-seop as a teacher, has a splendid history of winning the best sculpture award at an exhibition of Buddhist art, winning a prize in the stone crafts section of a national functional competition, selecting a master of Korean stone crafts, and designating a cultural heritage repair technician.

- Gut can be largely divided into Seotgut and Sajeonggut, which means a general rite performed by a shaman, and Sajingut is also called Sajanggyeong, Dokgyeong, and Yangbangut, which are given by the name due to the local and behavioral characteristics of the shaman sitting and reading the scriptures.

Sajingut is presumed to have been formed by mutual relations with other religions such as Buddhism and Taoism. It has a long history as a branch of Korean shamanism. In particular, Naepo Sajingut, including Seosan and Taean, has a strong tradition, making it a distinctive Sajanggut shamanistic area in Korea.

- Naepo Sitting Gut has been inherited to the present day with a deep influence on the origins of the northwestern part of Chungnam (Naepo area) and folk (musok) culture such as Pungoje Festival and Sansinje, which borders the west coast of South Chungcheong Province, and is designated as an intangible cultural asset of South Chungcheong Province for preservation and management due to its value, including the transmission and utilization of local folk culture.