A labor song that has been handed down in Mojeon-dong, Mungyeong-si (playful song)

Jung Jae-guk

Important Intangible Cultural Property No.46 Piri Jeongak and Daechwita holders

No. 1 player in Jeongakpiri and Taepyeongso

Hwanggeum-ri, Damyang, is a typical rural village located in the middle of a wide field in the upper reaches of the Yeongsangang River. It is a village with a wide field and rich property, and has a unique artistic tradition, and the songs sung while farming rice paddies are being handed down.

Damyang's Golden Driedle Song covers the entire process of steaming unknowns, planting unknowns, tying rice paddies, and jangwonjil. And each song is composed of late sounds and frequent sounds, especially in the non-maggi area, various songs such as <Jihwasori>, <Tteol소리, <Nahesori소리, and 사Sadu YeoSori소리 are arranged. The composition and composition of the songs are well illustrated by the fact that they have been passed down with the style and spirit of folk art in Namdo. In particular, the transfer of various songs, including the mock-up song, which is hard to see in other regions, the collective spirit sung with strength and excitement, and the various and colorful musical composition and melody, illustrate the degree of tradition and artistry of the golden song.

Damyang's Hwanggeum Deul song represents the upper reaches of the Yeongsangang River. The tradition of folk art in the Yeongsangang River basin, which is the lifeline of South Korea, is preserved intact. It is a well-known wild song for its participation in the 13th Namdo Cultural Festival since 1983 and the 26th National Folk Arts Competition in 1985.

Nam Gwi-hee (born in 1948), a singer-songwriter, succeeded her father's entertainment and has been leading the Golden Singing Performance since her 30s, and is a native musician who has been living in Geumgeum-ri for three generations as a local musician with excellent singing ability. And residents of Hwanggeum-ri have a special passion for preserving wild songs. The village of Hwangyum has organized the Wild Song Preservation Society and established the Wild Song Training Center to continue the transmission.

As such, Hwang-Yi-Yum's wild song is well equipped with songs that correspond to the whole process of rice paddy farming, and has the characteristics of wild songs that belong to the upper reaches of the Yeongsangang River and inland areas of South Jeolla Province, which have academic value comparable to wild songs in the islands and coastal areas of South Jeolla Province, is well expressed by male singers, and is a collective labor art for the preservation of wild singing. In addition, it is necessary to recognize Nam Gwi-hee as an entertainment holding organization, Damyang Golden Ddeul Song Preservation Society, and as an entertainment holder.

☆Salpuri Dance is said to have come to this day as its title was called mouth dance, improvisation dance, and towel dance, which became common.

According to the literature, Han Seong-jun founded the "Joseon Music and Dance Institute" in 1934, and during the first Hansungjun Dance Presentation in Bumin-gwan in 1936, he put the Bang-an Dance on the theater stage and used the name Salpuri Dance for the first time.

Since then, a full-fledged Salpuri dance has gradually emerged among the public, and its artistic value has been recognized and inherited as a representative dance of the Korean people's emotions.

On January 29, 2015, Lee Eun-joo was recognized as the holder of the cultural property.

※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616).

☆Although Yangju Nongak was generally referred to as Yangju Nongak, it was based on several Nongak pieces that were handed down throughout the Yangju town. The main source of the nongak transmission was the nongak in Gwangjeok-myeon, Seokuri, Bakdal-dong, Gwangjeok-myeon, Gwangseok-ri, and Deokdori nongak. These nongak have been combined to reach today's Yangju nongak. It is a nongak that fully embodies the nature of nongak in northern Gyeonggi Province and embodies the typical aspect of nongak in Gyeonggi Province.

Yangju Nongak is related to the "Homi Ssise," in which the basic personality is done after the farming process.

In this town, dure(farmers' cooperative group) was intense in every part of the village. There was a tradition of eating food and holding a feast at the end of the farm work. It is Yangju Nongak that originated from this tradition. In addition, Yangju Nongak is based on 'Nongnapuri', a tradition of playing nongak while mimicking farming.

It is replaced by showing the reproduction of nongak, which has a reserved nature, as a farming imitation.

Farming is performed in the form of washing hoe, and the forms of rice paddies are consistently found in Goyang, Paju, Yangju, Guri, Uijeongbu, and Dongducheon in northern Gyeonggi Province. The composition of rice paddy farming sounds is consistent, Nongak is performed as a farming pool, and the transfer process is shared in the form of ho-mi-sushi or ho-mi-gall. For this reason, Yangju Nongak can be regarded as a typical example of Nongak.