SM rookie girl group Aespa.

With a powerful dance song based on signature synth sound and intense bass, the catchy hook that seems to be memorizing orders stands out.

In particular, the lyrics feature a world-view story of adventures that unfold as people learn that "Black Mamba" is a threat to the world, disrupting the connection between Aespa and Avatar "ae."

It is an addictive up-tempo pop dance song called "Peekaboo," which means signature flapping sounds, groovy rhythms and peekaboo, and draws attention by comparing the current generation's lifestyle with cool ways of love to Playing in Playgrounds and expressing the thrilling feelings felt by new love in lyrics.

It's a song that Park Jinyoung wrote to show off his powerful performance.

On top of the strong hip-hop beat, the members' voices were transformed into Vocoder, completing GOT7's groovy hip-hop dance beat.

This song was composed by Kim Young-jae, a master of Haegeum and Geomungo High School, in 1982. It is a solo song of Haegeum, which is composed of traditional music from Seodo, Yeongnam and Honam, and is Played to the rhythm of Omori.

At the beginning of the Mu rhythm, the melody of Menarijo in Gyeongsang-do is improvised, making it feel like listening to the improvised performance of the Mu rhythm, or "Alap," prior to the main performance of Raga in India.

It was followed by the improvisation of the Manari rhythm, which led to the sad melody of the Namdo Gye-myeon. It went back to the theme of Menarijo, and it was Played with the heartfelt melody of Seodo jijang, and the theme melody was foreshadowed several times to the off-mori rhythm.

a songwriting appearance/Park In-hye
dramatization/im Young-wook
Composer / yuchanmi, Park Geun-hye.

Pungmul Nori is a folk music that combines dance and Play in the lives of ordinary people.

You can enjoy various performances such as kkwaenggwari, gong, janggu, drum, and sogo, as well as Playing various kinds of games such as spinning sangmo and bona.

The musical instrument, commonly known as the instrument used to Play music, has been used in traditional music since the Three Kingdoms Period, and about 60 types of musical instruments have been introduced, including unique instruments from Korea, and foreign instruments imported from China, the West, and other regions. As Korea was adjacent to the northern continent, Chinese and Western music was already introduced during the Three Kingdoms Period. Especially after Silla unified the three kingdoms, Tang Dynasty music was imported.

By the Goryeo Dynasty, Song Dynasty folk music and aak were imported, and by the time of King Yejong's reign, Ahak was introduced, and it still came in large quantities. These instruments were classified according to the main ingredients needed to make musical instruments in "Jeungbo Munheongo," and in particular, the musical instruments used for the unique traditional music, as well as the instruments used for Ahak and Dangak.

By the Japanese invasion, national sovereignty was lost and court musicians became free men. Of course, unlike the heads of government-affiliated musical instruments who made Jeongak-centered instruments, Sanjo-centered instruments were being produced in the private sector. This sanjo instrument can be said to be for individual performance, making it more cheerful and easier to transport than a group-oriented Jeongak instrument. During the Japanese Colonial Period, Kim Myeong-chil was named in Jeonju, and Kim Boong-gi (Kim Hak-gi) was named in Jeongeup.

After Korea's liberation from Japan's colonial rule, Kim Myeong-chil's technique was followed by his son Kim Gwang-ju, who became the No. 42 instrument master in 1971. He moved to Seoul to teach Choi Tae-gwi, Go Heung-gon, and Lee Young-soo before passing away in April 1984. Originally, Yi Yeongsu was designated as a cultural asset of Jeollabuk-do with the functions of Kim Bungi in Jeongeup, but he also received the functions of Kim Gwang-ju.

The musical instrument director originally thought he would make all instruments, but now he is divided into a drum, a jango, a gong, a gong, a jing, a salted fish, a flute, a gayageum, a geomungo, and a haegeum.

Sandae nori refers to the mask dance of the central region. Songpa Sandae Nori is a popular Play that combines dance, mime, words of virtue and humor as a branch of Sandae-do Gamgeuk enjoyed in Seoul and Gyeonggi Province. This Play was performed every year on the fifteenth day of the first lunar month and on Dano, Baekjung, and Chuseok.

Songpa Village was the commercial base of Gyeonggi Province, and it was said that about 200 years ago, when Songpa Market was the most prosperous, Sandae Nori became popular and was completed in the form of a Play that still conveys to this day. Songpa Sandae Nori consists of seven chapters, and prior to the Play, it is equipped with masks and costumes, Played on the road to the venue of the performance while Playing music, arranged masks and performed ancestral rites.

The composition of the Play, exaggeration, dance, and mask are almost similar to Yangju Byeolsandae Nori, but several masks, dances, and roles are characterized by their old forms. In other words, in Yangju Byeolsandae Nori, the cremation dance moves that have already disappeared, and the masks of the mother of childbirth, Shin Hal-mi, and the shaman remain, so there are separate roles for these masks. Thirty-three masks made of a bowl, pine bark, and paper are used, and the Play style, like other mask dances, is mainly dance, accompanied by jokes and movements.

■ Origin of the King's reign

Jeongjeonggok, a song written by Jeong-seo, who was raised to Busan Dongnae during the reign of King Uijong of Goryeo, was settled as a song during the Joseon Dynasty, and Sijo was derived from this song.

Songs and sijo use sijoshi as a yellow word. The sijo is designed to simplify the melody and rhythm of the song so that anyone can sing it easily, so just the daegeum and janggu accompaniment is enough to Play it. Furthermore, it is simple and simple, and it is a song enjoyed by scholars and nobles, not professional singers.

The sijo word is a song that reduces and simplifies the song so that you can express your composure and style to the fullest.

To indicate this, a fully qualified sijo is the Anglo-Sijo.

Dosan Park is a park in Sinsa-dong, Gangnam-gu, Seoul.

Construction began in 1971 and opened in 1973. The park was named after Ahn Chang-ho's penchant for patriotism and education.

It is the place where Dosan Ahn Chang-ho and his wife Lee Hye-ryeon were buried together. There is a statue of Ahn Chang-ho on the east side of the park, and a walkway stretches around the center, which is round like a Western-style garden.

The Dosan Ahn Chang-ho Memorial Hall in Dosan Park disPlays photos, letters, temporary government feedbooks and Dosan diaries that give you a quick look at Dosan's life and thoughts.

It is also equipped with a touch screen where you can see Dosan's notes, annals, and pictures.

Ahn Chang-ho (November 9, 1878-March 10, 1938) was an educational reform activist and patriotic enlightenment activist in the Korean Empire, and an independence activist, educator, and politician during the Japanese occupation.

Cha Bum-keun (born May 22, 1953) is a South Korean retired footballer who Plays as a football coach, commentator and critic.

Cha Bum-keun, who started his career in Germany at the German Bundesliga SV Darmstadt in 1978, has a record of 121 goals.

When he Played in the Bundesliga, it was difficult for Germans to call Cha Bum-keun's Romanization, so he called him Tscha Bum.

It was nicknamed the Brown Bomber because of its rapid penetration into space and its strong appearance in aerial warfare.

Cha Beom-geun was awarded the Cross Merit Medal for his decades of efforts to develop relations between South Korea and Germany.

As Koreans, the late Cardinal Kim Soo-hwan and the late President Kim Dae-jung were awarded.

The construction of Seokguram Grotto was begun in 751 under the leadership of Prime Minister Kim Dae-seong during the reign of King Gyeongdeok of the Silla Dynasty, and was completed in 774 (the 10th year of King Hyegong’s reign), whereupon it was given its original name of Seokbulsa Temple.
Buddhist art reached its peak during King Gyeongdeok’s reign, which spanned the middle period of the Silla Period, Besides Seokguram Grotto, many other cultural treasures were built during this period, including Bulguksa Temple, Dabotap Pagoda, the Three-story Stone Pagoda of Bulguksa Temple, and the Bell of Hwangnyongsa Temple.
The artificial stone grotto was built halfway down Tohamsan Mountain with pieces of white granite. The principal statue of Sakyamuni Buddha was placed at the center of the grotto, and forty statues of various bodhisattvas, Buddha’s disciples, and guardian kings were carved on the surrounding walls, though only thirty-eight of them remain. The rectangular front chamber of the grotto is connected to the round main chamber by a corridor. The exquisite ceiling of the main chamber was made with more than 360 flat stones. The architectural technique used to build this grotto is unprecedented in its excellence. There are statues of four guardian deities on both the left and right sides of the front chamber, which functions as the entrance to the main chamber. Carved on both sides of the entrance to the corridor is a statue of the Vajra Guardians, while the narrow corridor is decorated with the Four Guardian Kings carved in pairs. There is an octagonal stone column on both sides of the entrance to the round main chamber. The Principal Buddha is placed slightly off center toward the back of the main chamber. From the entrance, the walls of the chamber are filled with the images of two devas, two bodhisattvas, and ten arhats. Standing behind the Principal Buddha is a statue of the Eleven-faced Avalokitesvara Bodhisattva, perhaps the most exquisitely carved statue found inside this grotto.
Every single sculpture contained in the grotto may be considered a masterpiece of East Asian Buddhist art. The list of masterpieces includes the principal image of Buddha, which was created with mature carving skills; the Eleven-faced Avalokitesvara Bodhisattva with its magnificently carved face and body; statues of valiant warriors and the majestic Four Guardian Kings; and the supple graceful statues of various bodhisattvas and arhats, each of which disPlays a distinctive individuality. In particular, the serene appearance of the Principal Buddha enshrined in the main chamber deepens the mystical atmosphere. The extremely natural appearance of the Principal Buddha seems to present to all living people the ideal model of a man harboring a profound and sublime mind deep within him and easily pass to them his everlasting mercy. Seokguram Grotto is a masterpiece of the golden age of Buddhist art in Silla. What makes it stand out all the more is its perfect combination of architecture, mathematics, geometry, religion, and art. Seokguram Grotto has long been preserved as National Treasure No. 24, and was jointly registered as a UNESCO World Heritage in December 1995 along with Bulguksa Temple.