♡ Paul Kim and Chungha's special duet song "Loveship" is a song about Paul Kim's own lyrics and compositions, which he passed unnoticed because he was an old friend.

It is an R&B song that will warm up the new year in 2020 with a vintage keyboard and cozy string sound combined with the harmony of the two artists.

☆It is a reggaeton genre in which Latin guitar riffs lead the mood of the song, and you can feel the charm of MAMAMOO's low-pitched and high-pitched vocals at the Same time.

It has a colorful composition with a wide range of melody lines with dreamy and heavy sounds.

Based on a motif from a melody line and lyrics from Kim Gun-mo's "Jjang-ga" released in 200, MAMAMOO is enjoying the past without dwelling on the past, making even the viewers feel pleasant.

Moon Byul's rap lyrics add fun element to the song by incorporating Mamamoo's debut days into the lyrics with "nine slash six, six nieteen."

Everyone has a moment when they feel limited at some point.

Take a rest when you need to. Let's go.

You have to rest to make your next step lighter.

"Pasakalia," a concerto of the gayageum Sanjo in the Gangtae Hongryu Period, combines the melody and rhythm of Sanjo, Korea's representative instrumental music, with Pasakalia, a variation of the Baroque period.

Originally, Pasacalia is a form in which a diastolic variation is carried out in the high notes by repeating the Same three-beat, eight-syllable low-pitched theme, in which the theme of low-pitched gayageum and Mars (Cm, AbM7, FM7, and Gm7) were added in reverse to prepare for the existing rheumatic gayageum melody.

Jinyang Jojangdan's three-beat six-word structure and eight-word Parsakalia-style musical instruments are sometimes played by Jungmori rhythm, forming a musical instrument in different joints and sometimes matching each other.

The first Seoju section presents a low-pitched theme and harmony, and the emergence of Gayageum melody and the contending structure of the musical composition, but as the song progresses, the gayageum melody, and the low-pitched theme and harmony are integrated into one perfect harmony.

Lee Mong-ryong appeared as a fisherman at the birthday party of Byun, saving Chunhyang from the brink of death.

It is one of the key points of Chunhyangga because Chunhyang, who is in crisis, is saved through Eosa Publishing.

Jang Gu-yeon of Samulnori Master Kim Duk-soo and the sound of Park Jong-ho, the representative of the performing arts ensemble The Dune

Born in Boseong, South Jeolla Province in 1954, Kim Ok-su came to Seoul at the young age of 13 and has been on the Same path for 40 years after learning stone techniques from Jeong Sun-bung and Go Geum-dong.

He won prizes at the National Skills Competition, and specialized in Buddhist sculptures to repair stone structures at major Buddhist temples across the country.

Jindo Sushi Kimgut is a ritual in Jindo area that wishes the spirit of the dead to go to a pleasant and comfortable world after solving the lingering resentment in this world. It is called washinggimgut because it cleanses the resentment.

Because of its strong Buddhist nature, it seems to have been made during the Goryeo Dynasty, and the contents of the rite vary depending on time and place.

Gwakmeori Washing Gimgut, which is performed next to the corpse when the portrait is made, and 'Sosang Washing Gimgut'On the night of death on the night of the second year's death'Daesang Washinggut'When the sick or bad things happen frequently in the house, and when the tomb is temporarily built (at the beginning of the burial), the grave, the funeral.

The order of washing gimgut is to announce the celebration to the ancestors and the Cao Wangban on the day of King Cho's descent or the city's assembly, 'Honmaji'Honmangseok'that brings out the souls of the dead, 'Churimaji', which delights the souls of the souls of the dead, and the friends of the dead who serve the dead. *'Wangpul', 'Soulp', 'Samegappul'Samepole'Samepole'Samepole'Semplating the dead for not getting the medicine, 'Snowing', to see if the dead man's grudge has been relieved when his family or relatives hold hands, the dead man's soul comes down and says grudges.

The music of Jindo Sushi Kimgut will be composed of a flute, daegeum, haegeum, jango, and gong, centering on Yukjabaegimok (Sinawimok). The shaman is dressed in simple clothes, such as white clothes and scarlet bands, and performs the Jijeon dance, which is similar to the Buddhist monk's robe, and solves the resentment of the dead. The song is in the form of a single syllable and a long verse that carries the sound and receives the sound from the back, and is very exciting and beautiful with the sound of the melody and various refined woodwork.

Jindo Sushi Kimgut is a Buddhist ritual that wishes for the safety of not only the dead but also the living, and has excellent artistic elements and great material value in dance and music.

The Gyeonggi Gokal Sogo Dance, which is performed by wearing a cone hat and making fun of Sogo, was part of a cheerful nongak, a folk dance embodying the sogo sticks inserted into nongak in Gyeonggi Province.

However, rather than feeling that Nongak overlaps with its roughness or excitement, the movement is soft, and even the sogo in the hand is as beautiful as if it were part of the hand. It is a man's dance because his feet and hands are refined and quiet, but the joy of seeing a dance is great.

Unlike other regions, it is not only organized by the talented people, but also there is a movement only in this dance. They include "Saekgyeongbuk," which is a mirror-looking movement, "Jegibook," which is a leg movement, and "Kkuri Book," which is a movement that is like winding thread. There is a record of the dance with flowers on top of the vestibule, and the palace wore a colorful cone hat.

The genealogy of Gyeonggi Gokal Sogo Dance goes up to Kim In-ho, a dancer of Hwaseong Jaeincheong, and Hanseong Sunbo has a one-line record of "He is good at rope riding and even jesting in pansori, and he is especially good at bucking dance."

Lee Dong-an, the owner of the Bal Tal Tal Talent, was taught about 30 traditional dances and rhythms by Kim In-ho, which led to Jeong In-Sam, the owner of the Gyeonggi Gokal Sogo Dance. Jeong In-Sam's Sogo dance features clear dance moves and accurate composition.

The election was held on December 16, 1987 to elect the 13th president of Korea.

As a result of the June 1987 uprising, it was the first direct presidential election held in 16 years, and the participation rate was very high, with 89.2 percent, the highest since the third presidential election in 1956.

As a result of the election, Roh Tae-woo of the Democratic Justice Party beat Kim Young-Sam of the second-largest United Democratic Party by 8.6 percent of the vote and 1,945,157 votes.

For the military government, it was a roller coaster election that came to life, but for those who fought hard for democracy, it was a complete election.

As a result, the Yeongnam-Honam conflict has become more intense, especially between PK and Honam.

Dabotap Pagoda and Seokgatap Pagoda (the Three-story Stone Pagoda of Bulguksa Temple, National Treasure No. 21) are the two most renowned pagodas in Korea. They are similar in height (10.29m and 10.75m), and stand facing each other, Dabotap Pagoda in the east, Seokgatap Pagoda in the west, between Daeungjeon Hall and Jahamun Gate of Bulguksa Temple . Dabotap is a unique type of pagoda, while Seokgatap Pagoda (also known as “Sakyamuni Buddha Pagoda”) is representative of the more general type of stone pagoda. The two pagodas were built at the Same site to reflect the content of the Saddharmapundarika Sutra (The Lotus Sutra), in which the Dabo Buddha (“Buddha of the past”) stands beside Sakyamuni (“Buddha of the present”) to prove that his Buddhist sermon is right. Bulguksa Temple was founded by Kim Dae-seong’s offer in 751 (the 10th year of the reign of King Gyeongdeok of Silla).
Samguk yusa (Memorabilia of the Three Kingdoms) states that Kim Dae-seong built Seokguram Grotto for his parents in his former life, and Bulguksa Temple for his present parents. However, the temple was not completed at the time of his death, so it was finished afterwards by the kingdom, and in the end, the temple was run not for the private individual Kim Dae-seong but for the benefit of the kingdom as a whole.
Bulguksa Temple can be said to be the realization of the Buddhist paradise in which Buddhist monks of past, present, and future live together. It clearly reveals aspects of the spiritual world of the people of Silla. While it is perfectly clear that Seokgatap Pagoda is a three-story pagoda standing on a two-story platform, it is difficult to count the number of stories of Dabotap Pagoda. In fact, even experts have diverging opinions, with some saying it is has four stories and others that it has only three. However, the uniqueness of Dabotap Pagoda can be seen in the structure of each part. Stone staircases are attached to each side of the cross-shaped platform, with an octagonal pagoda body surrounded by square railings placed upon it. It is presumed that the pagoda was built in 751 during the construction of Bulguksa Temple.
This work is a masterpiece that beautifully expresses the complicated structure of wooden construction without any distraction by the use of through novel ideas. The work exhibits the artistic sensibility of Unified Silla through its well-organized structure consisting of squares, octagons, and circles, and in its length, width and thickness, which are standardized in every part. During the Japanese Colonial Period, the Japanese dismantled and repaired the pagoda around 1925, but they left behind no records of this work. In the process, Artifact, reliquaries, and other artifacts that must have been placed inside the pagoda all disappeared. In addition, of the four lions originally placed on the stone staircases of the pagoda, the Japanese took away three, all of which must have been in good condition. Though there have been continuous efforts to retrieve these precious cultural heritages, no trace has been found of them as yet.

☆Samulnori means four types of musical instruments: kkwaenggwari, janggu, buk, and gong.

Samulnori is an adaptation of a large-scale outdoor Pungmul Nori as a stage art in 1978.

While pungmul nori emphasized the activity of outdoor performances along with large-scale plays, Samulnori is a form of performance that emphasizes the emotion that can be felt in the instrumental sound itself.

It plays various rhythms and proceeds as a method of development of eccentricity (start, progress, climax, finish) in the periodic flow of tension and relaxation.