☆Yang Su-kyung is the 'Ballad Queen' representing 8090s.

She graduated from Seoul Traditional Arts High School and Seoul National University of Arts and appeared on KBS's new singer-discovery program, "The New Stage," in 1987.

Since 1988, she has worked as a model for commercials and advertisements along with her singing career.

Starting with the first album 'Leaving Heart', hit songs include 'Love is like rainwater outside the window', 'You're outer', 'You Can't Look' You', 'Where's Love's Cold Temptation', 'Where's the End of the Farewell' and so on.

It also gained huge popularity in Korea, ranking first in K-pop Top Ten for more than five weeks, and in 1991, it went overseas and won many awards including Japan's NHK Asia's Top Five Star Awards and ABU's Popular Song Festival.

☆BTS tried the dialect rap part of "Paldo Gangsan" from first mini album [O!RUL8,2?] again.

They combined sophisticated urban hip-hop melodies with savory dialects to create a unique feel.

Rap Monster, who has always performed a heavy rap, has challenged vocal this time. Unexpectedly, he shows off his unexpected charm with a sweet voice.

☆It is a duet song by friends Jimin and V of the same age, and it contains special friendships of those who have been bumped together for more than seven years and become stronger.

It is a pop rock genre that Jimin himself participated in producing.

It provides pleasant energy that looks like their relationship, while changing the mood from the song's bridge to soulful R&B, further highlighting the strong relationship between the two.

Through the overall melody line, you can appreciate the attractive harmony between high and low tones, and the final chorus is added with gospel chore, which doubles the emotion.

The late Han Beom-soo (1911-1980) was a master of Daegeumsanjo who was taught by Park Jong-gi and Kang Baek-cheon to create his own legacy.

After 64 years, he was selected as an official course in the department of Korean traditional music history and the department of Korean traditional music at Seoul National University's College of Music, and after 66 years, he was taught at the Korean Traditional Arts High School, which became widespread.

Lee Mong-ryong appeared as a fisherman at the birthday party of Byun, saving Chunhyang from the brink of death.

It is one of the key points of Chunhyangga because Chunhyang, who is in crisis, is saved through Eosa Publishing.

On December 5, 2014, the "2014 Arirang Festival of Korea" was held at the National Gugak Center in Seoul.

Ahn Sook-sun, a great singer, and jazz vocalist Ungsan sang the traditional Arirang of Jindo and Sangju together.

The musical instrument, commonly known as the instrument used to play music, has been used in traditional music since the Three Kingdoms Period, and about 60 types of musical instruments have been introduced, including unique instruments from Korea, and foreign instruments imported from China, the West, and other regions. As Korea was adjacent to the northern continent, Chinese and Western music was already introduced during the Three Kingdoms Period. Especially after Silla unified the three kingdoms, Tang Dynasty music was imported.

By the Goryeo Dynasty, Song Dynasty folk music and aak were imported, and by the time of King Yejong's reign, Ahak was introduced, and it still came in large quantities. These instruments were classified according to the main ingredients needed to make musical instruments in "Jeungbo Munheongo," and in particular, the musical instruments used for the unique traditional music, as well as the instruments used for Ahak and Dangak.

By the Japanese invasion, national sovereignty was lost and court musicians became free men. Of course, unlike the heads of government-affiliated musical instruments who made Jeongak-centered instruments, Sanjo-centered instruments were being produced in the private sector. This sanjo instrument can be said to be for individual performance, making it more cheerful and easier to transport than a group-oriented Jeongak instrument. During the Japanese Colonial Period, Kim Myeong-chil was named in Jeonju, and Kim Boong-gi (Kim Hak-gi) was named in Jeongeup.

After Korea's liberation from Japan's colonial rule, Kim Myeong-chil's technique was followed by his son Kim Gwang-ju, who became the No. 42 instrument master in 1971. He moved to Seoul to teach Choi Tae-gwi, Go Heung-gon, and Lee Young-soo before passing away in April 1984. Originally, Yi Yeongsu was designated as a cultural asset of Jeollabuk-do with the functions of Kim Bungi in Jeongeup, but he also received the functions of Kim Gwang-ju.

The musical instrument director originally thought he would make all instruments, but now he is divided into a drum, a jango, a gong, a gong, a jing, a salted fish, a flute, a gayageum, a geomungo, and a haegeum.

Born in Boseong, South Jeolla Province in 1954, Kim Ok-su came to Seoul at the young age of 13 and has been on the same path for 40 years after learning stone techniques from Jeong Sun-bung and Go Geum-dong.

He won prizes at the National Skills Competition, and specialized in Buddhist sculptures to repair stone structures at major Buddhist temples across the country.

Sandae nori refers to the mask dance of the central region. Songpa Sandae Nori is a popular play that combines dance, mime, words of virtue and humor as a branch of Sandae-do Gamgeuk enjoyed in Seoul and Gyeonggi Province. This play was performed every year on the fifteenth day of the first lunar month and on Dano, Baekjung, and Chuseok.

Songpa Village was the commercial base of Gyeonggi Province, and it was said that about 200 years ago, when Songpa Market was the most prosperous, Sandae Nori became popular and was completed in the form of a play that still conveys to this day. Songpa Sandae Nori consists of seven chapters, and prior to the play, it is equipped with masks and costumes, played on the road to the venue of the performance while playing music, arranged masks and performed ancestral rites.

The composition of the play, exaggeration, dance, and mask are almost similar to Yangju Byeolsandae Nori, but several masks, dances, and roles are characterized by their old forms. In other words, in Yangju Byeolsandae Nori, the cremation dance moves that have already disappeared, and the masks of the mother of childbirth, Shin Hal-mi, and the shaman remain, so there are separate roles for these masks. Thirty-three masks made of a bowl, pine bark, and paper are used, and the play style, like other mask dances, is mainly dance, accompanied by jokes and movements.

Dosan Park is a park in Sinsa-dong, Gangnam-gu, Seoul.

Construction began in 1971 and opened in 1973. The park was named after Ahn Chang-ho's penchant for patriotism and education.

It is the place where Dosan Ahn Chang-ho and his wife Lee Hye-ryeon were buried together. There is a statue of Ahn Chang-ho on the east side of the park, and a walkway stretches around the center, which is round like a Western-style garden.

The Dosan Ahn Chang-ho Memorial Hall in Dosan Park displays photos, letters, temporary government feedbooks and Dosan diaries that give you a quick look at Dosan's life and thoughts.

It is also equipped with a touch screen where you can see Dosan's notes, annals, and pictures.

Ahn Chang-ho (November 9, 1878-March 10, 1938) was an educational reform activist and patriotic enlightenment activist in the Korean Empire, and an independence activist, educator, and politician during the Japanese occupation.

Since 1965, Jeon Tae-il has been working as a tailor at the Seoul Peace Market, experiencing poor working conditions and human rights violations by Sida and other female workers.
In 1969, the Peace Market Foundation organized a group called 'Babohoe' and conducted a survey on poor working conditions and violations of the Labor Standards Act to petition the Labor Office, but the appeals of the workers were not accepted.

After working as a construction worker from September 1969 to April 1970, he returned to Pyeonghwa Market in September 1970 and organized the Samdong Friendship Society.
He and his colleagues asked the government, the media, etc. to improve the working conditions of the peace market, but the working conditions did not improve.

On November 13, 1970, when members of Samdonghoe, including Jeon Tae-il, were forcibly disbanded by the police while trying to stage a picket demonstration at Pyeonghwa Market, Jeon Tae-il soaked himself with gasoline and burned himself to death.

Jeon Tae-il's resistance to self-defense was an opportunity for the lives of workers who were sacrificed in the government's industrialization process to be highlighted as social problems, and later greatly influenced the Korean labor movement, democratic movement, and student movement.

Sejong the Great Memorial Hall is a memorial hall located in Cheongnyangri-dong, Dongdaemun-gu, Seoul, and was built to celebrate the success and achievements of Sejong the Great and to preserve it for a long time.

The Sejong Daiou Memorial Business Association was laid down on October 9, 1968, completed on November 19, 1970, and opened on October 9, 1973.

It consists of exhibition rooms such as Sejong the Great's one's life story room, Hangul room, science room, and Korean traditional music room.