It is a BTOB ballad song with a medium Tempo meaning that it is beautiful and sad that this time living now will never come back.

The harmony of the warmth of the orchestration and retro guitar sound stimulates the mood of a sad autumn.

It is an addictive up-Tempo pop dance song called "Peekaboo," which means signature flapping sounds, groovy rhythms and peekaboo, and draws attention by comparing the current generation's lifestyle with cool ways of love to playing in playgrounds and expressing the thrilling feelings felt by new love in lyrics.

It is a medium Tempo R&B song that harmonizes the sweet piano, guitar melody, and Baekhyun's emotional vocals, and the lyrics are outstanding, comparing the heart of the loved one to the colorful scenery of the amusement park.

A rising star is a neuroscopic pansori drama that is a satire of human desire to rise to the top and is produced to match conTemporaryity by adding theatrical elements.

Jeon Tae-won, Lee Eun-hee, Han Kang-woo, Lee Mi-sook and Park
In Seung-hyun, Kim Ji-hye, Shuffle Comics Lim Dong-joo, Kim Kyung-joon

a performer

Jeong Hye-jin (basement) Jeong Da-woon (pyrie)
Hwang Sang-eun (Master) Shin Seung-min (Daegeum)

Park Jong-ki (1879-1947) was the founder of Daegeumsanjo.

In addition to the genius musicality, the results, which were polished with steady efforts, were united in the calculation of daegeum. His musicality has been faithfully represented in the framework of Daegeumsanjo between 1929 and early 30 years.

Park Jong-gi's Daegeumsanjo is characterized by the sound of the dune Sanjo based on pansori. This represented the two trends of Daegeumsanjo along with the Sainawi The Dune Sanjo in Gangbaekcheon Stream. In the first half of the 1900s, Park Jong-gi actively performed with many conTemporary artists and participated in many music works, and the music that he played is still being delivered. Park Jong-gi's performance in various music sources shows the early appearance of Daegeum Sanjo.

Park Jong-ki's "Jinyang of Daegeumsanjo" does not use a variety of group changes, but it faithfully reveals its artistry through its rich sound and is similar to the "Pansori" flow. In Jajinmori, which shows the height of splendor, the melody of Pansori Chunhyangga 'Going to the Military Command' (Columbia 40041-B) is melted. Here, it is confirmed that Park Jong-gi's "Daegeumsan Mountain" is the "Sound The Manang Sanjo," which is deeply related to Pansori. Park Jong-gi's Daegeumsanjo continued to Han Ju-hwan and Han Beom-su, followed by Seo Yong-seok, Lee Saeng-gang and Won Jang-hyeon Daegeumsanjo, which are now being continued.

The Daegeum Sanjo, played today, is composed of Jinyang-Jungmori-Utmori, Jungmori, and Jajinmori, which were recorded in the mid-1930s, along with the off-mori melody of Park Jong-gi and Kang Tae-hong's Bong Jang-chi (Korai CM809).

○ Daegeum/Kim Hwi-gon (National Gugak Center Jeong Band), Jang Gu/An Seong-il (National Gugak Center Jeong Band)

Jindo Sushi Kimgut is a ritual in Jindo area that wishes the spirit of the dead to go to a pleasant and comfortable world after solving the lingering resentment in this world. It is called washinggimgut because it cleanses the resentment.

Because of its strong Buddhist nature, it seems to have been made during the Goryeo Dynasty, and the contents of the rite vary depending on time and place.

Gwakmeori Washing Gimgut, which is performed next to the corpse when the portrait is made, and 'Sosang Washing Gimgut'On the night of death on the night of the second year's death'Daesang Washinggut'When the sick or bad things happen frequently in the house, and when the tomb is Temporarily built (at the beginning of the burial), the grave, the funeral.

The order of washing gimgut is to announce the celebration to the ancestors and the Cao Wangban on the day of King Cho's descent or the city's assembly, 'Honmaji'Honmangseok'that brings out the souls of the dead, 'Churimaji', which delights the souls of the souls of the dead, and the friends of the dead who serve the dead. *'Wangpul', 'Soulp', 'Samegappul'Samepole'Samepole'Samepole'Semplating the dead for not getting the medicine, 'Snowing', to see if the dead man's grudge has been relieved when his family or relatives hold hands, the dead man's soul comes down and says grudges.

The music of Jindo Sushi Kimgut will be composed of a flute, daegeum, haegeum, jango, and gong, centering on Yukjabaegimok (Sinawimok). The shaman is dressed in simple clothes, such as white clothes and scarlet bands, and performs the Jijeon dance, which is similar to the Buddhist monk's robe, and solves the resentment of the dead. The song is in the form of a single syllable and a long verse that carries the sound and receives the sound from the back, and is very exciting and beautiful with the sound of the melody and various refined woodwork.

Jindo Sushi Kimgut is a Buddhist ritual that wishes for the safety of not only the dead but also the living, and has excellent artistic elements and great material value in dance and music.

Shijochang refers to singing a song with the lyrics of Sijo poem (Korean traditional poetry), also known as Sijo-si, Sidae-dan-ga.

The oldest record is a poem written by Lee Se-chun, a scholar of the "Seokbukjip" (pen-name: Seokbukjip) during the reign of King Yeongjo (r. 1724-1776). In the "Yu Yeji" and "Gura Cheolsageumjabo" published during the reign of King Sunjo (r. 1800-1834), Sijo's sheet music first appears. After that, due to the influence of the song, the composition of the poem was distributed and divided into local characteristics.

Naepoje sijo is a shijochang in northwestern Chungcheongnam-do. Naepo is presumed to have been named because it refers to Seosan, Dangjin, Yesan and Hongseong in Chungcheong Province.

The scale is composed of three-symmetric tones (a sad and mournful tone) and five-syllable tones (a clear and vigorous tone). The rhythm is not raised in the middle to maintain a sense of stability, and the end is dropped to leave a lingering impression, not falsetto, and a lot of decoration is used. Because they play a Temporary instrument with a long or knee rhythm without an instrument, five beats are reduced in the end of the long and medium length.

Naepoje Sijo is a valuable piece of music that people have enjoyed singing for a long time.

Darye is a rite of courtesy to give tea to a person or a Buddhist monk, and although it is a royal tea ceremony, it is a tea ceremony for oil prices, impossibility, and family members.

It is not known exactly when tea, also written as Myeong or Cheon, began to be consumed as a drink.In The History of the Three Kingdoms, the tea was from Queen Seondeok.A record of ' indicates that he drank tea at least in the 7th century.

In addition, in 828 (the third year of King Heungdeok's reign), " Chinese tea tree seeds were brought in and planted on Mount Jiri to meet the growing demand.There's a record of ."In <The History of the Three Kingdoms>, a tea ceremony was held at the Jongmyo Shrine of Gaya during the reign of King Munmu of Silla in 661, along with rice cakes and fruits.The record of " shows that he drank as a symbol.

The royal tea ceremony of the Goryeo Dynasty was held during the royal ceremony of Taehu, Taeja's Book Peak, Wonja's Birth, and Taeja's Birthday. The record of tea served by the princess when she was married is shown in "Goryosa".

The royal tea ceremonies and royal tea ceremonies of the Joseon Dynasty can be divided into the tea ceremonies for envoys and royal families. Hwagang was a lecture on scripture and fraud by gathering the management and empty guests of the teacher and Si Gangwon, and the records of his tea ceremony are shown in the Annals of King Sejong. The ceremony was held in Taepyeonggwan, Sajeongjeon, Injeongjeon, and Myeongnyundang until King Gojong's reign, in which the king or prince served tea to Chinese envoys.

A brief introduction to the procedures of Kim Eui-jeong's private reception is as follows.

The king's chair shall be installed on the west wall, the envoy's chair shall be installed facing west on the east wall, and the north side shall be installed on the north wall.The king and the envoy take their seats after the town.One person to remove the sandal is to stand on the west side, while another person is to stand on the west side with a tray of tea and tea.The two saon remove a tray of fruit, one facing south to the right of the Jeongsa Temple, and one facing north to the left of the adverb.

The manufacturer stands facing north on the right side of the king with a tray of fruit, and when the king takes a cup of tea and removes it, he follows the tea and sits down and raises it to the king, the king rises up from the chair, stands up a little, and stands up a little, and the Sashindo stands up a little, and stands a little forward. The king takes a cup of tea and goes to Jeongsa Temple and hands the tea. A political affairs officer receives a bell and gives it to a Tong Temporarily. The manufacturer takes the tea with a teacup again and hands it to the vice president.When an adverb receives a teacup, he retreats a little bit, and the manufacturer picks up the tea with the cup and puts it on the official, and Jeong-sa holds the teacup and goes out to the king and raises the tea. At this time, the manufacturing industry moves westward and kneels north.

When the king holds the teacup, the Tong puts the teacup on the Zheng and the King sits on the chair and drinks tea. He goes before the king of the making and knelt down, receives a cup of tea, and leaves it on a tea tray. For the removal of the Monk stands and puts fruit on the envoy, and the Emperor kneels down and puts the king's fruit on the table. When I'm done, I'll take the tray out.

The tools used in royal tea ceremonies include 湯罐 (a kettle for boiling tea), 茶罐 (a kettle for brewing tea), 茶罐 (a bowl for cooling water), tea cups, cup stands, , (a bowl for cooling water), teaspoons, tea pots, tea towels, tea bottles, and water pumps.

On December 20, 2001 been recognition of activity as holder of the gimuijeong.

※For more information on the above cultural assets, please contact the Seoul Metropolitan Government Department of Historical and Cultural Heritage (☎02-2133-2616).

Dosan Park is a park in Sinsa-dong, Gangnam-gu, Seoul.

Construction began in 1971 and opened in 1973. The park was named after Ahn Chang-ho's penchant for patriotism and education.

It is the place where Dosan Ahn Chang-ho and his wife Lee Hye-ryeon were buried together. There is a statue of Ahn Chang-ho on the east side of the park, and a walkway stretches around the center, which is round like a Western-style garden.

The Dosan Ahn Chang-ho Memorial Hall in Dosan Park displays photos, letters, Temporary government feedbooks and Dosan diaries that give you a quick look at Dosan's life and thoughts.

It is also equipped with a touch screen where you can see Dosan's notes, annals, and pictures.

Ahn Chang-ho (November 9, 1878-March 10, 1938) was an educational reform activist and patriotic enlightenment activist in the Korean Empire, and an independence activist, educator, and politician during the Japanese occupation.

On January 1, 1963, Busan, the second largest city in South Korea, was promoted to a municipality (currently a metropolitan city).

Busan's population rapidly increased when evacuees gathered during the Korean War and became a Temporary capital, and then the size of the city gradually expanded for sustainable economic development.

It was a municipality for 18 years until Daegu and Incheon were promoted to municipalities in 1981.

On January 4, 1951, during the Korean War, the Korean and UN forces recaptured the capital Seoul due to the success of the landing operation in Incheon, and gave up Seoul again and retreated extensively due to the Chinese military's coming down from China.

The population of Busan will exceed 1.2 million in March 1951, as refugees created by the 1.4 retreat continue to flock to Busan, the safest Temporary capital of the country.

Two months later, the Korean and U.N. forces recovered Seoul in mid-March.