Wooden craftsmanship is a function of making various containers, such as hoisting, using wood as a material.

Kim In-gyu, who was recognized as the owner of the woodcraft, has been working in one field for more than 60 years and has sufficient skills to implement the entire production process in a skillful manner, and he also possesses and utilizes the tools he received from his father, including the traditional hand-held genealogy (jokdapgi), which is not used even in his hometown of Namwon.

Gagok is also known as the Eternal Ring Jigok, which is a vocal piece that is included in the regular price along with sijo and lyric that were popular in the upper class society of the Joseon Dynasty. The lyric of Sijo is sung in the form of Chapter 5 to the orchestral accompaniment of Piri, Jeotdae, Gayageum, Geomungo, and Haegeum. Its artistic value is excellent compared to that of Sijo and its lyrics. Traditional songs are played by 16-night or 10-night Janggu Jangdan accompaniment, and are based on 24 songs and are divided into male, female, and male and female songs according to the classification of people.

The song originated in the early Joseon Dynasty, and the current song was formed at the end of the Joseon Dynasty. As the mandaeyeop and Jungdaeyeop gradually declined during the late Joseon Dynasty, the sagdaeyeop became more prevalent, and from the end of the 17th century, the sagdaeyeop became a variant of 1, 2, and 3. By the 18th century, Jungger, Pyeonggeo, and Duger were derived from the Great Lakes of Isu, and by the 20th century, they grew into huge vocal music like today's songs.

In 1988, Han Ja-yi was introduced to Wolha Kim Deok-soon, the owner of an important intangible cultural asset, Yeo Chang-ga-gok, and learned about the arts. Since 1992, he has been studying Namchang Song from Kim Gyeong-bae, the owner of Namchang Song, and from So Dong-gyu, Kim Gyu-yeol, and Park Gi-ok, the master singers of Naepoje Sijo, he learned how to make poems and sing lyrics. He won the gold medal at the 1992 national men's and women's sijo sang competition and the grand prize of the Jeonju Daesaseup Nori Sijo in 1993.

The ritual for mountain gods is held at the mountain god. The ritual for mountain gods in Yuchun-dong is one of the rites held every year in the lunar winter solstice to prevent the villagers from feeling bad and pray for peace and prosperity.

The history of Yuchun-dong Sansinje is not accurate, but some residents say it has been around for about 450 years. At that time, the Sanjedang stood in a place where the good energy of Bomunsan Mountain was given, and it is said that today the Sanjedang was built and the Sanjindang was started. The ritual for mountain gods was held every year in Dongjidal, but from more than 20 years ago, it was designated as Dongjidal's first three days. In the past, the ritual was postponed for about a week in the run-up to the ritual for mountain gods, but as the number of villagers increased rapidly, they are not concerned about the portrait or childbirth.

Sanjedang Shrine, which holds a ritual for mountain gods, is a two-pyeong, one-room building, with a mountain shrine hanging inside, and a pine tree standing in front of the shrine house. A white-haired old man and a large tiger are depicted on the mountain shrine, adding to the mystery with deep mountains and clouds in the background.

Yuchun-dong Sanshinje established the Sanjedang Preservation Society and inherited and preserved it.