In Namwon and Jeonju areas of Jeollabuk-do, excellent lacquerware was produced from ancient times.

In order to continue the tradition of lacquerware making lacquerware by lacquerware made of rich local wood, Jeollabuk-do designated lacquer paste as Do-type Cultural Heritage No. 13 to protect and foster it.

In 2006, Angon (1962~) was recognized as a holder of lacquerware in the field of 13-3 by subdividing the functions of lacquerware.

He has the technique and technique of making lacquerware in the wooden chest area by making white bones such as barit, jegi, and bulgi with ginkgo and nogak trees.

In Jeolla-do, lacquer trees grew all over the country, and many good lacquerware was produced early on, and painting was also popular as wood furniture and woodwork developed around Namwon and Jeonju. Born in 1954, Lee Eui-sik learned lacquer from Choi Kyu-han and Choi Hwan-hee. Lee Eui-sik's lacquer work is famous for its gloss, strength and excellent brushwork that shows the level of refining the paint. He won a number of prizes at the Jeonseung Crafts Competition and the National Crafts Competition, and won a silver prize at the 1993 International Design Competition in Japan.

lacquer shall be applied to a wooden bowl, etc. with a colouring agent, drying, etc. in lacquer gin to keep it from rotting and glossing, and a person with the technique of lacquer and its functions shall be referred to as lacquer paste shall be referred to as lacquer paste.

It is estimated that lacquer, which is handed down in Namwon-si, was the foundation of Shilsangsa Temple in Jirisan Mountain, and its origin was achieved by making woodcrafts such as bowls and jegae for the Buddha. After that, research and technology were developed by Yang Ki-soo, a natural lacquerware master, when Korea's first woodworking school was established during the Japanese Colonial Period.

Depending on how sap is collected, lacquer is made in various colors, including raw paint and painting, with natural lacquer gin, while painted craftsmanship has a subtle brown color as it ages. In addition, the products completed through the painting of chaebol up to 67 times have a very good effect on desiccation, waterproofing, insect repellent, and polishing.

Kim Eul-saeng of Namwon and Lee Eui-sik of Jeonju, who have been running three generations of lacquerware, have passed down the wood painting business to continue the tradition of lacquer techniques.