The oriental Bell pluck line is an impressive trap genre song with a trendy yet exciting beat, reminiscent of "Dope," which was a follow-up to [Hwayangyeonhwa pt.1].

Although it seems to be a joyous patitune song, the lyrics contain BTS's philosophy of telling the story of his generation because it contains a message about the recent world.

Thanks to this generation and stork, I enjoyed listening to rhymes and pointed out the social issues such as social polarization and spoon theory in BTS' language.

Written and composed by Park Jin-young, 'FEVER' is a trendy reinterpretation of his musical roots, the Vaudville (entertainment that took place in an American theater restaurant in the early 20th century).

I was inspired by the show of the Cotton Club in Manhattan, the epitome of Bodville, and his favorite Sammy Davis Jr. and Nicholas Brothers among the legends there.

The song means that he will play and enjoy the stage in a chaotic manner.

The main guitar loop is an impressive energetic old school hip-hop genre that melts as much beauty as MCND can on stage.

Not only the perfect group dance, which can be called the "All Main dancers Group," but also the hand-waving dance in the chorus and the ever-changing colorful expression are also points to watch.

'Hwasunmu' is an impromptu dance made based on the basic dance, which is performed to the music of a nonsense rhythm, and a mouth dance called Hwaseonmu with a flower fan.

Pansori "Sugungga"'s nundaemok(most prominent or interesting scene) "Tiger is Coming Down" subtly blends with the bass melody and drum rhythm.

In line with this, members of the modern dance troupe Ambigious dance Company shake their bodies joyfully.

In Korean traditional music, oral sounds are played by mimicking the distinctive tones of the flute, salted fish, and janggu.

In the case of a mouthful, it follows the tone of a flute or a paddle, but it is not constant, and sometimes it is sung on top of a song.

As in the case of Sinawi, the rhythm consists mainly of Salpuri and Deng Dekungi (Jajinmori), and sometimes other rhythms are used.

The form of the performance is sometimes sung as a solo to the accompaniment of the janggu, but usually together with the chorus of the sina.

And this note is often used for the Salpuri dance and dance accompaniment to the guitar Sinawi.

Therefore, the name of this music should be called Gueum Si Nawi, but the composition of the music is usually called Gueum Salpul because it is usually composed of Salpuri rhythm.

In addition, because the oral sound is expressed in voice in any case, it may have to be a Namdo master singer who has reached a considerable level musically, and is usually good at Pansori masterpieces.

Dongnae Hanryang dance is a men's dance with a strong local color of Dongnae and a unique dance rhythm. This dance has been performed by local hallyangs since ancient times, and the overall dance is based on Deobaegi and Bae Kimsawi, both of which are introduced in this area.

It does not have a fixed form of dance or composition, but it is characterized by a combination of yard dance and gibang dance, along with a relaxed dance as a male dance with bold lines, centered on Hutton dance (mouth dance), a personal dance that is improvised when the excitement is heightened.

Originally, the dance was performed by the customs officials of the Dongnae area and the Hanryang who entered and entered the room, so it is an artistic dance that is not vulgar and elegant, and at the same time improvised and personal. It is also a mouth dance that is performed in a small place called Kibang, so it is a dance with delicate movements along with individual creativity.

Jang Mun-won, the holder of the Dongnae Hanryang dance, is the last dancer to come and go in Dongnae Station, and is a representative dancer of Dongnae, such as Nonghyun's dance moves.

Although the contents of accompaniment music can be expressed differently depending on the dance moves in different regions, considering the historical nature of the dance performed by Hanryang in Gyobangcheong and Kwonbeon, it can be seen that the dance is usually performed in Sinawi rhythm that suits the local characteristics.

Dongnae Hanryang dance, based on the basic form of Dongnae Seotbaegi dance, is a folk dance with a very important meaning in that it is the basis of all the male dances in Dongnae area as a prior entertainment of Dongnae Yaryu's yangban dance, gutgeori dance, mouth dance, and Dongnaehak dance.

When discussing traditional Korean dance, salpuri dance, Buddhist dance, dance dance, dance, and Taepyeongmu are mentioned as representative examples. These dances are often divided into folk dances or folk dances, and they are distinguished from court dances and ceremonial dances. Although the name ' towel dance' has been arranged earlier, it is called the Salpul dance or mouth dance at the site. The towel dance is a distinctly distinct traditional dance, and the classification, research, and preservation of it are insufficient. Therefore, Shin Kwan-chul's towel dance will play a very important role in the history of dance research.

The towel dance was so diverse that all sons-in-law of the time, including hand gestures and foot gestures, can see all the dance moves inherent in Korean traditional dance. Another important part of the dance should be the beauty of the giraffes and the appearance of the giraffe with a smile and a wink of sarcasm, and there was no one who could not help but fall in love with them. The towel dance is a dance in which you can see the beauty of a giraffe who shows off her various talents.

The towel dance is characterized by the use of Gyeonggi Gutgeori and Jajinmori music. The characteristic of the music accompaniment seems to be that Han Sung-joon's main stage was Gyeongseong. However, these days, people use the word "gum" attached to Sinawe in Namdo. This is because Han Sung-joon's dance is the dance of South Korea. The level of expression in which the movement of the foot, ankle movement, knee movement, hip movement, hip breast movement, head movement, hand movement, arm movement, walking movement, spinning movement, and sitting and standing movement are divided into the movement of the head, contains emotional expression that cannot be seen in other dances.

Source Jeongeup City Hall

☆Salpuri dance is said to have come to this day as its title was called mouth dance, improvisation dance, and towel dance, which became common.

According to the literature, Han Seong-jun founded the "Joseon Music and dance Institute" in 1934, and during the first Hansungjun dance Presentation in Bumin-gwan in 1936, he put the Bang-an dance on the theater stage and used the name Salpuri dance for the first time.

Since then, a full-fledged Salpuri dance has gradually emerged among the public, and its artistic value has been recognized and inherited as a representative dance of the Korean people's emotions.

On January 29, 2015, Lee Eun-joo was recognized as the holder of the cultural property.

※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616).