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K-Pop & Trot (269)

  • 2020.11.9
    release date
    He declared himself a witch without being swayed by others' gaze or judgment, expressing his frank desire and positive and confident attitude as a splendid and brilliant festival.

    With retro synthesizer riffs, danceable drum beats and disco bass lines that captivate the ears with disco genre songs, the 1980s-style music was recalled in GFRIEND's own style in 2020.

    Sing me who blooms anew and proudly becomes the master of life.
  • 2017.11.10
    broadcast day
    Mnet Super Large Project The Master - Chapter 1 - Destiny 'Gayo Master' Choi Baek-ho
    (written by Lim Hee-jae, composed by Baek Young-ho, sung by Lee Mi-ja)

    ** "Ahssi" is the term used by servants to refer to or refer to young women in high-ranking families.
  • 2018.11.12
    release date
    It is a BTOB ballad song with a medium tempo meaning that it is beautiful and sad that this time living now will never come back.

    The harmony of the warmth of the orchestration and retro guitar sound stimulates the mood of a sad autumn.

K-Traditional Music (284)

K-Cultural Heritage (286)

  • 1969.11.10
    designated date
    The Korean traditional music is composed of sijo poems (Korean traditional poetry) and sung to orchestral accompaniment. It is also known as 'Sakdaeyeop' or 'Song'.

    The original version of the song is Mandaeyeop, Jung Daeyeop, and Sakdaeyeop, but the slow song, Mandaeyeop, disappeared before the reign of King Yeongjo (r. 1724-1776), and Jungdaeyeop (r. 1724-1776), and Jungdaeyeop (r. 1724-1676), which was not sung at the end of the Joseon Dynasty.

    The current song is derived from the "Sakdaeyeop," a fast song that appeared since the late Joseon Dynasty, and various rhythmical related songs have formed a five-piece collection of songs.

    Currently, 41 songs are handed down, including the Ujo and the Gyemyeonjo, 26 male and 15 female songs, but the female versions of the male and female songs are slightly modified so that women can sing the male and female songs, which are almost identical to the male chant. However, there is a difference between the melody that shows the delicacy of the female singer and the low-pitched voice.

    According to the format, a poem is divided into five chapters, and the prelude, a rental note, and a second, three, three, four, and five chapters are repeated. The highly organized and well-organized performance consists of geomungo, gayageum, haegeum, daegeum, danso, and janggu.

    Songs have been in existence for many years without change, and are of high artistic value that have been handed down by experts compared to other music being popular.
  • 2003.11.10
    designated date
    Some of the Ganghwa Durejil songs were influenced by agricultural songs from the Yellow Sea (Yeonbaek region) compared to inland areas.

    The sound of durejil continues to be a solo song if the fish is narrow, and if it is wide, two or more yongdurees are installed to sing back and forth. In addition, the sound of planting rice is also sung in the case of narrow rice paddies, while singing in the wide rice paddies while humming in solo.
  • 1995.11.10
    designated date
    The musical instrument, commonly known as the instrument used to play music, has been used in traditional music since the Three Kingdoms Period, and about 60 types of musical instruments have been introduced, including unique instruments from Korea, and foreign instruments imported from China, the West, and other regions. As Korea was adjacent to the northern continent, Chinese and Western music was already introduced during the Three Kingdoms Period. Especially after Silla unified the three kingdoms, Tang Dynasty music was imported.

    By the Goryeo Dynasty, Song Dynasty folk music and aak were imported, and by the time of King Yejong's reign, Ahak was introduced, and it still came in large quantities. These instruments were classified according to the main ingredients needed to make musical instruments in "Jeungbo Munheongo," and in particular, the musical instruments used for the unique traditional music, as well as the instruments used for Ahak and Dangak.

    By the Japanese invasion, national sovereignty was lost and court musicians became free men. Of course, unlike the heads of government-affiliated musical instruments who made Jeongak-centered instruments, Sanjo-centered instruments were being produced in the private sector. This sanjo instrument can be said to be for individual performance, making it more cheerful and easier to transport than a group-oriented Jeongak instrument. During the Japanese Colonial Period, Kim Myeong-chil was named in Jeonju, and Kim Boong-gi (Kim Hak-gi) was named in Jeongeup.

    After Korea's liberation from Japan's colonial rule, Kim Myeong-chil's technique was followed by his son Kim Gwang-ju, who became the No. 42 instrument master in 1971. He moved to Seoul to teach Choi Tae-gwi, Go Heung-gon, and Lee Young-soo before passing away in April 1984. Originally, Yi Yeongsu was designated as a cultural asset of Jeollabuk-do with the functions of Kim Bungi in Jeongeup, but he also received the functions of Kim Gwang-ju.

    The musical instrument director originally thought he would make all instruments, but now he is divided into a drum, a jango, a gong, a gong, a jing, a salted fish, a flute, a gayageum, a geomungo, and a haegeum.

K-History (3)

  • 1970.11.19
    Completion date
    Sejong the Great Memorial Hall is a memorial hall located in Cheongnyangri-dong, Dongdaemun-gu, Seoul, and was built to celebrate the success and achievements of Sejong the Great and to preserve it for a long time.

    The Sejong Daiou Memorial Business Association was laid down on October 9, 1968, completed on November 19, 1970, and opened on October 9, 1973.

    It consists of exhibition rooms such as Sejong the Great's one's life story room, Hangul room, science room, and Korean traditional music room.
  • 1978.2.22
    Samulnori's Birthday
    ☆Samulnori means four types of musical instruments: kkwaenggwari, janggu, buk, and gong.

    Samulnori is an adaptation of a large-scale outdoor Pungmul Nori as a stage art in 1978.

    While pungmul nori emphasized the activity of outdoor performances along with large-scale plays, samulnori is a form of performance that emphasizes the emotion that can be felt in the instrumental sound itself.

    It plays various rhythms and proceeds as a method of development of eccentricity (start, progress, climax, finish) in the periodic flow of tension and relaxation.
  • 2001.5.18
    Registration date
    The Royal Ancestral Ritual in the Jongmyo Shrine and Its music is also known as 'Jongmyomusic' as the general name for instrumental music, song and dance performed at the memorial service for the kings and queens of the Joseon Dynasty.

    It is also called Jongmyo Daeje because it was a large and important ritual held in Jongmyo during the Joseon Dynasty