salpuri originated from shamanism, and developed into the most important part of our art dance today.

"Salpul" means the bad luck of life in human history, the evil deeds of demons, such as murder and disaster, and it is called salpuri to release all the harmful energy and spirit of this life.

All of the Paldo Gutzhong have this process of taking out the liquid.

In particular, Jungbu salpuri, which is being performed today, is composed of the dance moves of the central part of the country (Gyeonghyangryu), which was first performed by the National Dance Company of Korea in 1990.

The Seoyong Pomegranate Daegeum Sanjo was handed down following Han Ju-hwan and Han Beom-su, who followed the tradition of the Park Jong-gi Daegeum Sanjo.

The Seo Yong-seokryu Daegeum Sanjo, composed of various group changes and well-organized rhythms, has become a favorite of those who want to feel the musicality of Sanjo.

In addition to the melodic aspects, the meticulousness of the rhythm composition and the janggu rhythm are characteristic of the Seoyong Pomegranate Daegeumsanjo.

If you play the Seo Yong-seokryu Daegeum Sanjo for a long time, it takes more than an hour to play Jinyang, Jungmori, Jungjungmori, Jajinmori, Oomori, and Dongsalpuri.

In today's performance, Jinyang-Jungmori-Jungjungmori-Jajinmori will be played.

Jinyang is a place where visitors can appreciate the beauty of the group's transformation into Ujo and Gyemyeonjo. Jin Yang-man's melody is well illustrated by the echo of Cheongui.

Jungmori often comes out in a paper form in the middle of the song, so it's simpler and more cute than revealing a big stem.

The Ujo section of the main building in the early part of Jungjungmori has a magnificent and magnificent beauty. Even a small gourd is delicately displayed, adding to the beauty of tension and relaxation, as if listening to a cinawi.

Jajinmori is the most Pansori-like part of the Seoyong Stone Pond Daegeum Sanjo. It is often used to build up the tune step by step to create tension, and to relax the beat by stretching the beat, and to find the beat again to make it tense.

Dosalpuri dance, in which the dance of Gyeonggi-do Danggutpan is staged, features the beauty of the line drawn with a long towel, restrained dance moves, and colorful foot steps.

From this performance, audiences can feel the original form of Kim Sook-ja's dosalpuri dance by Yang Gil-soon's dance moves.☆

Busan Gijang Ogugut is a memorial rite (Cheondoje) for the souls of the dead. It has a family rite and a room rite, and it consists of twelve streets, from Jeongjeonggut to Siseok. The dense blend of Buddhist contents and colors, such as salt Buddha, sophora, jasam, and rhythm, has a unique characteristic that can be compared with the Buddhist ritualistic style, and shows the unique historical perspective of Koreans.

Along with the private pool of Haewon and Cheorwon, it is an important cultural and artistic heritage that provides unique characteristics of the region along with the universality of the Korean culture and arts, as it has the unique life and dance spirit of Korean shamanism, which invokes the spirit of salpuri, the extreme form of singing, dancing, and various shapes, and sends death.

Muui and Muga holders Kim Dong-eon has a clear lineage of succession, and has outstanding skills in Ogugut's unique private pool, as well as outstanding skills in Ogugut's unique private pool, while Kim Dong-ryul, a holder of musicians and Jihwa production, is paired with Kim Dong-eon in musical performance and rhythm, and is fully qualified as a holder in the production of Jihwa, Yongseon and Mugu.

When discussing traditional Korean dance, salpuri dance, Buddhist dance, dance dance, dance, and Taepyeongmu are mentioned as representative examples. These dances are often divided into folk dances or folk dances, and they are distinguished from court dances and ceremonial dances. Although the name ' towel dance' has been arranged earlier, it is called the Salpul dance or mouth dance at the site. The towel dance is a distinctly distinct traditional dance, and the classification, research, and preservation of it are insufficient. Therefore, Shin Kwan-chul's towel dance will play a very important role in the history of dance research.

The towel dance was so diverse that all sons-in-law of the time, including hand gestures and foot gestures, can see all the dance moves inherent in Korean traditional dance. Another important part of the dance should be the beauty of the giraffes and the appearance of the giraffe with a smile and a wink of sarcasm, and there was no one who could not help but fall in love with them. The towel dance is a dance in which you can see the beauty of a giraffe who shows off her various talents.

The towel dance is characterized by the use of Gyeonggi Gutgeori and Jajinmori music. The characteristic of the music accompaniment seems to be that Han Sung-joon's main stage was Gyeongseong. However, these days, people use the word "gum" attached to Sinawe in Namdo. This is because Han Sung-joon's dance is the dance of South Korea. The level of expression in which the movement of the foot, ankle movement, knee movement, hip movement, hip breast movement, head movement, hand movement, arm movement, walking movement, spinning movement, and sitting and standing movement are divided into the movement of the head, contains emotional expression that cannot be seen in other dances.

Source Jeongeup City Hall

☆salpuri Dance is said to have come to this day as its title was called mouth dance, improvisation dance, and towel dance, which became common.

According to the literature, Han Seong-jun founded the "Joseon Music and Dance Institute" in 1934, and during the first Hansungjun Dance Presentation in Bumin-gwan in 1936, he put the Bang-an Dance on the theater stage and used the name salpuri Dance for the first time.

Since then, a full-fledged salpuri dance has gradually emerged among the public, and its artistic value has been recognized and inherited as a representative dance of the Korean people's emotions.

On January 29, 2015, Lee Eun-joo was recognized as the holder of the cultural property.

※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616).